THE ROLLING STONES - SOME GIRLS (reissue review)

The Rolling Stones released Some Girls in 1978 when I was nine years old.  I don't think I was aware of the concept that a band was releasing a new album, but I did associate certain artists with certain songs, I just had no idea if they were new or old.

But I do remember hearing "Miss You," "Beast Of Burden" and "Shattered" all over the place.  Years later, when I started really getting into the Stones, learning their history and buying their old albums (this was around '89, when they hit the road for the first time in years for Steel Wheels) I picked up Some Girls and was knocked out by how great it was.  This may be sacrilegious to say, but it quickly became my favorite Stones album. I realize that most hardcore fans choose albums from the Brian Jones or Mick Taylor eras.  Of course I love albums from both of those eras, and there are no bad albums from either era, but this is my favorite.

If you didn't know better, you would have thought that Ronnie Wood was created in a lab to join The Stones. In the history of rock, has there ever been a replacement in a major band that just fit so perfectly?

I don't think I knew too much of the context when I first got the album though. I just knew that there were three incredible singles, but in between them were a group of songs that were just as good, or better.  I knew that this came out during the punk rock era, and they seemed to nod at this without trying too hard, on songs like "Lies," "Respectable" and "When The Whip Comes Down." Their soul roots were acknowledged with their cover of The Temptations' "Just My Imagination." They nodded at their country influences (and made fun of them more than a bit) on "Far Away Eyes." "Miss You" and "Shattered" were funky as hell, and "Beast Of Burden" is one of their best pop songs ever.  Also on this album is one of my favorite Keith Richards-sung Stones tunes, "Before They Make Me Run" ("see my taillights fading, there's not a dry eye in the house"). On my Rolling Stones iPod mix, every song on this album is included. (That mix is nearly 11 hours long, but still.)

I just bought the deluxe (not super-deluxe) version of the album. It comes with a second disc of stuff that didn't make the album. Often times, this kind of thing is a curiosity, but disc 2 of Some Girls is its own great album.  I think I prefer it to their next album, Emotional Rescue! "Claudine" is a great vintage rocker.  "No Spare Parts" (featuring newly recorded parts by Mick Jagger, Keith Richards and Ronnie Wood) is a lovely country-ish song.  There's actually a lot of country on disc two, including Keith singing a classic song, "We Had It All," and also a cover of Hank Williams' "You Win Again."

The super-deluxe version also contains a DVD of a live concert from the tour, but not the CD version.  So, I decided to get the deluxe version, and pick up the DVD/CD version of Some Girls - Live In Texas '78, which you can get separately (and buying both was still less expensive than the super-deluxe version). I have a lot of great live recordings by the Stones, but this might be the best one. So, if you love the Stones, particularly the Ronnie Wood era, I'd recommend doing what I did: get the deluxe version, and get the DVD/CD (or BlueRay/CD) combo of Some Girls Live.

BEN WATERS' TRIBUTE TO IAN STEWART - BOOGIE 4 STU

You'll want to check this album out if you like pre-rock and roll boogie woogie. Or if you are a Rolling Stones fan. Or if you like PJ Harvey.

Rock and roll fans know Ian Stewart: he was the original piano player of The Rollling Stones. Their original manager, Andrew Loog Oldham (who currently is a host on Little Steven's Underground Garage) deemed him surplus to requirements to the Stones. He was demoted to road manager, and also studio and touring piano player. But yet, he stuck with the Stones for the rest of his life until he passed away in 1985.

Ben Waters' parents were friends with Stewart, and when young Ben saw him play piano at their house, he decided he wanted to be a piano player also. These days, he's a pretty popular musician on the roots music scene in the U.K., and he also plays in Charlie Watts' band, The ABCandD of Boogie Woogie.

Watts plays drums on most of the album, most of which was recorded in Jools Holland's studio (appropriately, as Stewart was likely an influence on Holland's style). But the album took on a life of it's own, with Keith Richards, Ron Wood and even ex-Stone Bill Wyman making multiple contributions. On one song - a cover of Bob Dylan's "Watching The River Flow" features Charlie, Keith, Ron, Bill and Mick Jagger. (Apparently, Stewart considered it the only good song Dylan ever wrote!) Although they all recorded their parts separately, and it isn't billed as a Stones tune per se, it's the first new recording by the band in six years, and the first recording with Wyman in 20 years.  There's also a Keith/Ronnie duet on "Worried Life Blues."

The other big guest is Waters' cousin, Polly Jean Harvey.  They recorded "Lonely Avenue" in her parents' living room, on a piano that Stewart once owned. It's an interesting contrast to her very British new album, Let England Shake.

The album is a great reminder of how much fun pre-rock and roll boogie woogie music is, and also has some great blues moments. If you're a Stones fan, you gotta have it, but it's worth checking out for anyone interested in the roots of rock and roll music. By his own admission, Stewart was a limited piano player: to progress with their music, they had to leave him behind (and he hated some of their more "progressive" material like "Sympathy For The Devil"), but this album offers an interesting glimpse of what the Stones would have sounded like if Loog hadn't canned him.

THE ROLLING STONES ON THE TAMI SHOW

A couple of days ago, I was digging listening to The Rolling Stones' early 1970s-era stuff via the Exile On Main Street reissue and the Stones In Exile documentary DVD. They were a very different band from a few years earlier, when they were still up-and-coming and featured Brian Jones as the guitarist (replaced in the Exile-era by Mick Taylor). You get a glimpse of the band on the recently released TAMI Show DVD, where they performed at a concert that also featured James Brown, Smokey Robinson & The Miracles, Diana Ross & The Supremes, Chuck Berry and The Beach Boys, among others. The Stones' performance is pretty incredible (although they got blown away by James Brown, who performed before them - Keith Richards said going on after him was the biggest mistake the band ever made). But check it out, here's The Stones from the TAMI show doing "It's All Over Now."

STONES IN EXILE DVD

I've got to say, I've really been digging listening to The Rolling Stones' classic Exile On Main Street over and over since the reissue came out. Tonight I watched Stones In Exile, the documentary about the album.

The doc was pretty cool, it was interesting to see footage of the era.  But you know Mick Jagger really isn't too into talking about it (in a recent interview he said he didn't know the point of it, other than getting paid, or something like that), and Charlie Watts really really isn't into talking about it. Keith Richards is cool with talking about whatever, but he didn't have any incredible insight, nor did former members Mick Taylor and Bill Wyman, although it was cool to see and hear them in the doc. My favorite parts were the interview segments with Bobby Keys, who played sax on the album (and still plays on their records and tours today). But I enjoyed the doc.

What I loved about the DVD though, was a bonus feature with extended interviews with "Exile fans": Jack White, Sheryl Crow, Liz Phair, will.i.am and Caleb Followill from Kings Of Leon, as well as Martin Scorsese and Don Was.   I used to do interviews with rock stars, and I often was more interested in talking about things other than themselves - especially music that really, really meant a lot to them. Whoever did these interviews, I was definitely envious of, because these were the types of conversations I loved, back in the day. It was fascinating to see what Exile meant to these folks: to Jack White, it was an album that could confound rock critics, they could no longer box the Stones in. To Sheryl Crow, it was how they looked at the place where she was from, the south. will.i.am is one of the most proudly modern and commercial artists - but he likes the fact that it is an entire body of work, and part of a greater continuum of work, and one that isn't reliant on having hit singles.  It's the "cool" album to like, because it isn't as well known. Followill, the son of a preacher man, thought it sounded like the devil's music, and loved it. Don Was, an artist and producer (who has produced The Stones' records of the past 15 years) can't figure out what is on the essence of the album (which I'm sure some critics will have field day with).  And Liz Phair, as her fans know, has a pretty complex relationship with this particular record. Maybe the doc will get some Stones fans to pick up her debut, the classic Exile In Guyville. I know Mick, Keith and Charlie exec-produced the doc, but I would think that they might be weirded out by all of the things that everybody said about the album - not just Liz (but especially Liz!).

A cynic could say that they selected the artists they interviewed for marketing purposes, but I take a different point of view.  Through these interviews, you really see why the album, and the band is so relevant today. I give the main doc a B but this feature an A.

GET THE "NEW" ROLLING STONES SONG ON iTUNES

The first of the "unearthed" songs from The Rolling Stones' Exile On Main Street resissue, "Plundered My Soul," is now out on iTunes. Of course I'm going to buy the deluxe reissue, but I couldn't wait to hear this.

"Follow The River" is another "unearthed" track.  It's known that Mick Jagger and Keith Richards added bits of guitar and vocals to the track. It's also known that Charlie Watts and Bill Wyman didn't add anything to the original track. But what's interesting is the other rumor: that Mick Taylor also added some guitar parts. A while ago, England's Daily Mail reported that Taylor was living in a small apartment and was going to sue The Stones for not paying him for his term in the band (which many would consider their greatest era, as it included Exile and also Sticky Fingers). His manager called the NME to say that that was just not true at all. Now, maybe that was because Taylor was actually speaking with the Stones, and was hoping to either get paid or to actually rejoin and he didn't want to screw things up.  Or maybe he was 100% telling the truth.

But another rumor is that the Stones are getting tired of Ron Wood's antics. If they got rid of him, even though he is the "new guy" in the band (having only been a member for three decades or so) it would make the band look less legit. But if they replaced him with the guy he replaced, Mick Taylor, then it seems a bit more OK. Since Taylor played on Exile, it would make even more sense if they did a tour where they focused on that album.  Another cool option is having Mick rejoin and have him and Ron switch off at guitar and bass (they both play bass as well).

At any rate, it's great to hear a "new" Stones song - they have never been the best at putting out interesting reissues - and here's hoping it isn't the last we hear from them.

HEY, I HAVEN'T WRITTEN ABOUT THE FACES IN A WHILE

Last night, three of the four surviving Faces (but not Rod Stewart) reunited for a benefit gig in England, according to Music News Net. Ron Wood, Ian McLagan and Kenny Jones, with Wood's former Rolling Stones bandmate Bill Wyman on bass, performed with a few different singers, including Mel C. from The Spice Girls, Kiki Dee (Elton John's duet partner on "Don't Go Breaking My Heart") and the dude from Simply Red. OK, but it's still pretty exciting anyway! Apparently Rod was in the U.S. promoting his new album Soulbook, where he covers soul music classics (I'm curious to hear it). Apparently Kenny Jones was saying that the reunion may be in the cards for 2010! The benefit was for the PRS For Music organization, by the way.