#20YRSAGO: NIRVANA - NEVERMIND (+ boxset review!)

A lot of incredible albums came out in 1991 (hence my series of "#20yrsago" posts), but none had the game changing impact of Nirvana's Nevermind.

I remember hearing "Smells Like Teen Spirit" for the first time.  I was driving my car on the Meadowbrook Parkway in Long Island while I was in college.  I ejected whatever cassette I was listening to, and my radio was set to 92.7 FM (it was either WLIR or WDRE).  I heard the guitar first. Why are they playing a band as heavy as Metallica?  Of course, when I heard the singer, he sounded nothing like Metallica or anyone else. Who was this?  I soon found out.

I got Nevermind when it first came out. Obviously it is a classic album.  I loved "Lounge Act," I thought it sounded like The Smithereens (I later read that they were, in fact, an influence). At some point, I found Kurt Cobain a bit too precious and annoying (wearing a "corporate magazines still suck" shirt while doing a corporate magazine cover was cute, but complaining about Pearl Jam bugged me), and I stopped listening to them for a bit. That was dumb of me.  They are one of the greatest bands ever, and Nevermind is an incredible album.  I'm sure Dylan said some things about other artists that I like, it would never make me stop listening to his music.

There's lots of stories about Nirvana's concrete impact (the oft-told stories of hair metal bands hearing Nirvana and realizing that their day was done) and how they didn't care about their new-found status (famously turning down opening slots on tours by U2 and Guns N Roses/Metallica). My story is this:  I was DJing at a great rock and roll bar called Fezziwigs, owned by two great guys, ex-hippies who performed at the bar as an acoustic duo.  Almost all of their repertoire was '60s and '70s songs, but they threw in Dire Straits and Traveling Wilburys songs as well. They didn't always "get" the music I played, but Nirvana was the only band they ever paid me to NOT play. $5 extra per night, just as long as they didn't have to hear "Smells Like Teen Spirit." Sometimes I would have to sacrifice the extra fiver, other nights I played "Lounge Act" instead.

Anyway. I've been listening to the super-deluxe box set lately, and I'm stunned by how great it is.  Why did I buy the super deluxe version, instead of the just the deluxe one?  Well, one reason is that it comes with a live concert recording from the era, and a DVD of the same concert.  You could buy that DVD/CD package separately.  There are tons of B-sides and bonus tracks, many of which come with the deluxe version.  I was kind of attracted to the super-delxue by the idea of the Butch Vig's original mixes.  Butch Vig, of course, produced Nevermind, and went on to be a famous producer, as well as the drummer of the band Garbage. But this was one of his first big major label projects, and I guess the label didn't like his mixes, so they hired Andy Wallace to mix it instead.  So, it's cool to hear Butch's original vision for the album. Also included are "boombox demos": literally, the band performing and recording themselves on a cassette deck on a boombox.  It's interesting to hear them in that raw of a format, but I don't think I'll listen to that too often.  Finally, there are some early demos of the songs that pre-date Dave Grohl joining the band: they feature Chad Channing on drums.

Nevermind is an album that I have a complicated relationship with, but it's certainly one of the greatest and most important albums released in my lifetime, and I'm grateful for it.  It helped to wipe out a lot of crap bands (of course, it inspired a movement of those crap bands pretending to be Nirvana, instead of pretending to be Van Halen). It also sort of brought a system of ethics to bands who come from the underground and end up in the mainstream.  Stone Gossard basically admitted as much in Pearl Jam 20.  The idea of Kurt Cobain giving a public beatdown over something that smells like a sell-out helped to keep the band on their best behavior.  For a time, it felt like most of pop music felt the same way. Maybe a lot of us (including some of Kurt's bandmates, friends and fans) have outgrown that rigid ethic, but you know that people are probably influenced by Kurt's personality as much as they are by his songs.

KRIST NOVOSELIC: "HOW I MET DAVE GROHL"

Krist Novoselic wrote a piece called "How I met Dave Grohl," for The Seattle Weekly. I know they have performed together a few times since Nirvana. I wonder if they could ever do it again in a band, or would the ghosts just be too strong? Drummers have been on Krist's mind lately: he interviewed other former Nirvana drummers Chad Channing and Dale Crover also for The Seattle Weekly.

TOMORROW ON OUTQ: NIRVANA, FOO FIGHTERS, THEM CROOKED VULUTRES

For those of you who are new to No Expiration, if you enjoy reading my musings on music and you have a satellite radio, you can hear me Wednesday mornings on SIRIUSXM's OutQ Channel. I am a guest of The Morning Jolt with Larry Flick at about 9 am ET every Wednesday. (You can actually get a free online trial and listen on your computer at www.sirius.com/freetrial). This week, I am talking about albums by Nirvana, Foo Fighters and Them Crooked Vultures. Someone commented to me that the common denomonator is Dave Grohl, which is both true and false.

There are two new Nirvana releases out now: the first is the 20th anniversary edition of Nirvana's debut album, 1989's Bleach. Dave Grohl hadn't yet joined the band. Chad Channing was the drummer on that album. Supposedly, it cost $600 to make the album, and there are no outtakes, because they couldn't afford extra tape, so if they didn't like a take, they taped over it. So why get this reissue? Because it includes a live set from the era on the CD and on a bonus DVD. Channing plays drums on that gig -it is early Nirvana, really, really raw.


Then, there's Live At Reading, recorded on August 30, 1992. They were one of the biggest bands in the world at that moment, and Kurt Cobain was getting really sick of it. One complaint I've read about the CD is that it cuts the in-between song banter, which gives it a bit of context, there's a lot of Kurt's whining. On the CD, they cut that, so you hear a powerful set of awesome songs performed with fury (and some boredom). But some people think it's misleading I guess.

It's weird (or maybe not) that both Nirvana albums came out on the same day last week (they are on different labels, SubPop owns Bleach while Universal put out Reading), and on the same day, a Foo Fighters Greatest Hits album came out. When Nirvana first broke up, I remember Dave played drums for a "supergroup" on the Backbeat soundtrack (a film about the Beatles' early days as a club band). It was Grohl, Mike Mills of R.E.M., Don Flemming of Gumball, Dave Pierner of Soul Asylum and Greg Dulli of The Afghan Whigs. They covered all the same old songs that The Beatles covered. I remember seeing them perform on the MTV Movie Awards, and wondering when Grohl would get to play big crowds again! Around that time, drummer Stan Lynch quit The Heartbreakers, and Tom Petty invited Dave to join the band. He didn't, but he did play for them on one episode of Saturday Night Live. I remember hearing Kris Novoselic telling Eddie Vedder about Dave's new project on an episode of Pearl Jam's "Monkey Wrench Radio," and he played a few songs from the demo, which sounded really cool. A few months later, the Foo Fighters opened for Mike Watt (Dave also played drums for Watt) but no one really had heard of them! It was pretty great though. By all accounts, Dave is a cool guy, and I'm glad he's done so well. I saw the Foo Fighters headline an arena last summer, and it was a good show.

Finally, Them Crooked Vultures. I've written about them a bit already. It's Dave Grohl on drums (and I think some vocals), Josh Homme of Queens Of The Stone Age and Eagles Of Death Metal on guitar and vocals and John Paul Jones of Led Zeppelin on bass and keyboards. Their album comes out next week, but they're letting you listen to it on their YouTube page. I've got to say, it sounds pretty awesome.