THE JAYHAWKS - MOCKINGBIRD TIME

The Jayhawks are a band that I've always admired more than loved. I was in college when they released their breakthrough album, 1992's Hollywood Town Hall. I heard the single "Waiting For The Sun" all the time, and although they weren't where my head was at at the time, I knew they were a good group. 1995's Tomorrow The Green Grass was an album you had to be aware of if you were a music fan. These two albums, in my mind, had a lot to do with popularizing the "Americana" movement that I enjoy so much.  But after Green Grass, singer/songwriter Mark Olson quit the band.  Singer/songwriter Gary Louris kept the band going, but it was a different group without the co-leaders. There were certainly great songs after Olson left ("Stumbling Through The Dark" was great, "Save It For A Rainy Day" is one of the group's greatest moments and one of the best songs, maybe, ever). But the chemistry had changed.

So a couple of years ago when Olson and Louris got together as a duo, there were high hopes. Soon, they reactivated The Jayhawks and Mockingbird Time is the band's first album with both guys back in the fold.   The album is good, but not great, and doesn't have anything as classic as the material on their early '90s records.   On the other hand, the album gives the group new material to play in concert, which definitely holds up alongside the earlier stuff: the first single, "She Walks In So Many Ways" is one of the best songs of the year, and "Hide Your Colors," "Tiny Arrows" and "High Water Blues" are all great songs.  Some of the songs (like the title track) just drag. But if this is more than a "reunion" album, and is actually a "reactivation" album, I think it's promising.  The Jayhawks are the kind of band who could do their best album next year, they still have a knack for great hooks and beautiful harmonies.

TRUE BLOOD VOL. 3 (THE MUSIC)

First off, I'll say that as a big fan of the True Blood series, I thought this past season (season 4) was bad.  Really bad.  Embarrassingly bad. If you've been reading my blog for a while, you know I'm more likely to like things than to not like them.  And I'm much more likely to write about things that I like than things that I don't like.  But from the awful season premiere (when they went to fairy land, I thought that sleestaks were going to start running around) to the finale ("can you let us down, we're getting a bit crispy," Sookie breaking up with both vampire dudes in one of the cheesiest scenes I've ever sat through on any show), it was just bad. And taking Lafayette - one of the show's best characters, mainly because of his dislike/distrust of anything supernatural, and making him into a conduit for the ghost of an evil spirit... well, I guess it could have been a cool idea, but it came off corny as hell. 

Of course, this is not a TV blog, it's a music blog, and right now, as I'm giving out candy to trick or treaters, I'm listening to the latest installment of the True Blood compilation series. And as annoyed as I am at the show's producer Alan Ball, I have to give it up  -- again -- to music supervisor Gary Calamar. Last year, I wrote about the second CD in the series, and expressed serious admiration for True Blood's music team, and I still feel the same way. They come up with songs that fit the mood, regardless of era and genre (it's the same reason why I love the greatest radio station in the world, the Underground Garage).

The album has a number of new tracks, which I imagine were recorded specifically for the show. I don't know if you could say that being on True Blood is the adult equivalent of being on a Twilight soundtrack, but I guess it is comparable.  Regardless, there are some really great tracks here. The opener combines stuff I love with stuff I don't:  Karen Elson (whose debut, The Ghost Who Walks, was one of my favorite albums of 2010) covers Donovan (who I've never been a fan of) with "Season Of The Witch."  Karen's ex-, Jack White produces and Donovan himself sings on the track.

The late Gil Scott-Heron covered Robert Johnson's "Me and The Devil."  Obviously a classic, and Mr. Scott-Heron brought his own thing to it. I guess this is one of the last things he ever recorded. 

Hipsters must be melting over the union of Neko Case and Nick Cave covering The Zombies' "She's Not There." But they should, it's pretty great, and I remember thinking that as it aired over the credits of one of this season's episodes. 

PJ Harvey and Gordon Gano of The Violent Femmes' "Hittin' The Ground" is the title track from Gano's debut solo album from 2002. It's a really fun song, and PJ sounds like she's really getting her Patti Smith on. It's not a new song, but it's new to me, and probably is to a lot of other people.

And in a combo made in Americana heaven, Jakob Dylan and The Jayhawks' Gary Louris do "Gonna Be A Darkness," which they co-wrote.  There are so many good songs here!  A group called The Heavy cover Larua Nyro's "And When I Die," and there's a cool Blackroc song (Blackroc is The Black Keys in hip-hop mode) called "What You Do To Me."  Then, there's some older songs, like Slim Harpo's "Te Ni Nee Ni Nu," Massive Attack featuring Hope Sandoval "Paradise Circus," and Siouxie & The Banshees' "Spellbound."

Here's hoping that the next season of True Blood makes up for this one, but I know that the music will always be on point.