I have mixed feelings about My Morning Jacket. On one hand, I really respect their ambition: they seem to be one of the "indie" bands out there who are really ambitious creatively. At the same time, they don't seem to have a problem with being successful and playing large venues. Another thing I respect about them is that they appeal equally to hippies and hipsters. This band is at home at Bonnaroo or Coachella.
Sometimes they strike me as musical health food though: I know it's good for me to listen to them, but I don't really enjoy it. I'm starting to realize that they are a great band, and are a taste you develop. Also, they're not the kind of band you're always in the mood for.
That said, "Victory Dance," which leads off their new album, Circuital, is a perfect song for a sundown. The other day, I ran six miles. When I finished and walked a bit to cool down, the sun was actually setting and I put this song in. Perfect. I don't smoke, but people who run know the sort of high after you finish a long run, and experiencing that, a beautiful sunset and "Victory Dance' was an incredible combination.
The other song on the album that really stands out to me is "Holdin' On To Black Metal." With a choir of young girls and a horn section, it's not very black metal. It's not very metal at all! But it is a great tune. It's funny to me that a hippie indie band would sing a song about black metal. I wonder how many non-indie rock bands would sing songs about indie rock. I'm OK with it though: it doesn't sound like they are mocking metal.
Anyway, I'll recommend the album, but only if you have time to listen to the record a few times to absorb it. As I mentioned, I respect the band (I also named frontman Jim James one of the best artists of the '00s) and they are at least worth checking out.
Showing posts with label Jim James. Show all posts
Showing posts with label Jim James. Show all posts
Monday, August 15, 2011
Wednesday, December 22, 2010
BEST OF 2010 - # 6 - THE ROOTS "HOW I GOT OVER"
I love both Roots albums that came out this year: their collaboration with John Legend, Wake Up, is great. But How I Got Over is a classic. I wrote about it over the summer, and I still think it is an incredible album. I am a big fan of the band and their drummer Questlove, but I don't always love their albums.
If you've seen them on Late Night With Jimmy Fallon, you know what a great and diverse band they are. They can go from backing Bruce Springsteen to Black Star to Christopher Cross. They have always been a great band, but I would argue that working on the show has made them an even better band (I wonder if they would agree). Their guest list on the album includes Jim James of Monsters of Folk/My Morning Jacket, John Legend, the ladies from Dirty Projectors and a number of underground hip-hop artists. It never seems forced or gimmicky, it's just that they can work with anyone, and really make it work. And they make it hip-hop. I wouldn't have thought you could do that with such an unfunky group as Dirty Projectors.
The underground MCs they work with (Dice Raw, P.O.R.N., Phonte, Blu) are great, but none are as great as The Roots' lead MC, Black Thought. He doesn't get enough credit, I think it's because he's a quiet guy when he's not rocking the mic. But listen to dude's lyrics, he really is one of the best.
Check out: "Walk Alone," "Dear God 2.0," "Radio Daze," "Now Or Never," "How I Got Over," "The Day." Really the whole album though!
If you've seen them on Late Night With Jimmy Fallon, you know what a great and diverse band they are. They can go from backing Bruce Springsteen to Black Star to Christopher Cross. They have always been a great band, but I would argue that working on the show has made them an even better band (I wonder if they would agree). Their guest list on the album includes Jim James of Monsters of Folk/My Morning Jacket, John Legend, the ladies from Dirty Projectors and a number of underground hip-hop artists. It never seems forced or gimmicky, it's just that they can work with anyone, and really make it work. And they make it hip-hop. I wouldn't have thought you could do that with such an unfunky group as Dirty Projectors.
The underground MCs they work with (Dice Raw, P.O.R.N., Phonte, Blu) are great, but none are as great as The Roots' lead MC, Black Thought. He doesn't get enough credit, I think it's because he's a quiet guy when he's not rocking the mic. But listen to dude's lyrics, he really is one of the best.
Check out: "Walk Alone," "Dear God 2.0," "Radio Daze," "Now Or Never," "How I Got Over," "The Day." Really the whole album though!
Labels:
Black Thought,
Blu,
Dice Raw,
Jim James,
Jimmy Fallon,
John Legend,
Phonte,
Porn,
Questlove,
The Roots
Monday, July 12, 2010
A NEW CLASSIC: THE ROOTS "HOW I GOT OVER"
So now I have three favorite albums of 2010. The Drive-By Truckers' The Big To-Do, The Black Keys' Brothers and now I'll add The Roots' How I Got Over.
It's not secret to long time No Expiration readers know that I'm a big fan of The Roots and their drummer Questlove.
I'll admit that I was a bit worried when I heard that they were collaborating with indie-rock artists (many of whom they met on Jimmy Fallon's show). Questlove is the kind of guy who appreciates all kind of music, and who seems to get along with everyone. The ladies from Dirty Projectors (one of the most overrated bands in recent memory - but the ladies did a great job backing up Black Star on Fallon a few months back) sing on the intro piece, "A Peace Of Light." Some of the guys from Monsters Of Folk are featured on "Dear God 2.0," a sequel to their song "Dear God" written by Jim James (of My Morning Jacket). That works really really well. Indie harp artist Joanna Newsom is on "Right On," and Patty Crash is on "The Day," which is one of the true highlights. My favorite collab is with John Legend, who sings on "The Fire." (They also sample him on the previous song, "Doin' It Again.") (Now I really can't wait for the Legend/Roots album featuring a number of socially relevant covers).
The Roots have always been great at collaborating without losing their sound, and I think the Fallon show has only strengthened that, so it always ends up sounding like them. There's also hip-hop guests, some who have worked with the band before (Peedi Peedi, P.O.R.N. and Dice Raw), and at least one newer name (STS).
The centerpiece of the album, and my favorite song, is the title track, which features Dice Raw. And I think Black Thought even sings a bit on that track! The lyric is one of their best ever: "Out on the street, where I grew up, first thing you learn is not to give a fuck. That kind of thinking will get you nowhere. Someone has to care!" Who else is writing stuff so simple, poignant and elegant these days. That puts them in Marvin Gaye/Curtis Mayfield turf. When you're there, you don't have to worry about keeping up with wacka flacka or drake. They're not so much about this moment in hip-hop, they're timeless. That's how I've always felt about the group, but this album hammers it home.
Saturday, December 19, 2009
BEST OF THE '00s: JIM JAMES
This one will surprise some of my friends, and it even surprises me. But when I was thinking of the artists who had a great decade, I definitely thought of My Morning Jacket. I remember reading about them in a British magazine. Apparently the opened for Eyes Adrift (the short-lived band that featured Krist Novoselic) and Dave Grohl went to one of the shows, caught MMJ and really liked them. I picked up their album It Still Moves, and honestly, wasn't that impressed. But following thier career a bit, they are really ambitious and creative, and yet they don't mind writing a total pop song like "I'm Amazed." The way they embrace pop and more avant-garde type stuff reminds me of The Beatles a bit. I definitely really enjoyed thier last album, 2008's Evil Urges.
But frontman Jim James has done a lot of cool stuff outside of the band: he had a bit role in the Bob Dylan-based film I'm Not There, and did a cool version of "Goin' To Acapulco" (backed by Calexico) on the soundtrack. He also did an EP of Geroge Harrison covers (under the name "Yim Yames"). And, he is part of the indie-rock supergroup Monsters of Folk (with M. Ward and Bright Eyes members Conor Oberst and Mike Mogis). I'm not as big of a fan of Jim and My Morning Jacket as I am as the other artists who made my "Best Of The '00s" series, but I gotta give dude respect.
More Best Of The '00s: Bob Dylan
Willie Nelson
Aimee Mann
Jeff Tweedy
David Johansen
Levon Helm
The Beatles
But frontman Jim James has done a lot of cool stuff outside of the band: he had a bit role in the Bob Dylan-based film I'm Not There, and did a cool version of "Goin' To Acapulco" (backed by Calexico) on the soundtrack. He also did an EP of Geroge Harrison covers (under the name "Yim Yames"). And, he is part of the indie-rock supergroup Monsters of Folk (with M. Ward and Bright Eyes members Conor Oberst and Mike Mogis). I'm not as big of a fan of Jim and My Morning Jacket as I am as the other artists who made my "Best Of The '00s" series, but I gotta give dude respect.
More Best Of The '00s: Bob Dylan
Willie Nelson
Aimee Mann
Jeff Tweedy
David Johansen
Levon Helm
The Beatles
Labels:
Jim James,
Monsters Of Folk,
My Morning Jacket,
Yim Yames
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