ROCK HALL INDUCTIONS: THE BEASTIE BOYS

I started writing a post "reviewing" The Beastie Boys' induction into the Rock and Roll Hall of Fame last week, and planned to finish it either Friday or Saturday.  Obviously, it's a much different post now.

I've heard that Adam Yauch was admitted into the hospital on the same day that the induction took place.  I can only imagine the bittersweet feelings Adam Horovitz and Mike Diamond, and Yauch's parents, must have had, being at the ceremony that night.

I remember predicting that Chuck D would be the guy they'd call to induct The B-Boys and I'm glad I was right. Public Enemy had a long history with the Beasties, and he was so passionate about their importance.  I was glad that LL Cool J was also part of the induction. Chuck and LL deserve to be in the Rock and Roll Hall of Fame themselves, hopefully sooner rather than later.  (Rick Rubin was in the audience as a guest of The Red Hot Chili Peppers: it's interesting that he'd produced the Chilis, the Beasties and Donovan, as well as presenters Chuck, LL, and also Kid Rock who performed.  He should also be in the Hall of Fame soon!)

Chuck's speech was predictably longer.  But he made great points about how they always stuck together as a team, they were a TEAM of MCs, how they defied expectations and carved their own path. LL's speech was good too: besides pointing out that it was the Beasties who played his demo for Rick Rubin, he also noted that they really brought hip-hop to the suburbs.

Mike and Adam kept it pretty short.  I don't know how Adam H. kept it together while reading Yauch's speech for him.

Watching the performance a second time on TV, I liked it a bit better.  The Rock and Roll Hall of Fame wisely asked The Roots to perform at that segment (instead of Paul Shaffer's group, the house band for the rest of the night, and for nearly every ceremony). They were joined by the Beasties' longtime DJ Mixmaster Mike.  Black Thought was on the mic, along with Kid Rock and Travie McCoy from the band Gym Class Heroes.  Black Thought was a given, he's one of the best MCs in the game and has been since he started. Kid Rock is obviously influenced by the group.  I would have gone with someone like Q-Tip, Nas or Mos Def for the third spot though. They pretty much stuck to the hip-hop and rock/rap hybrids.  I guess they had limited time, but I thought they should have addressed their instrumental funk prowess (which would be easy for The Roots) and their hardcore punk background (which Mos Def or someone like Henry Rollins could have done). Still, they put together a cool performance and they probably didn't have a lot of time to rehearse it.

If you have a chance to check out this year's Hall of Fame induction ceremony, you should do so, especially if you are a Beastie Boys fan.

RAVE ON BUDDY HOLLY

I know that a lot of people hate the idea of tribute albums.  I don't.  In the pre-downloading age, I bought tons of them, even if there was just one artist I liked on the album. I really like the idea of artists paying tribute to other artists, I always have. It's hard to overstate Buddy Holly's importance.  He was there at the beginning of rock and roll.  He influenced The Beatles. The Rolling Stones covered him on their first album. I remember watching Bob Dylan talk about a Buddy Holly concert when he was accepting his Grammys in 1997.

I think it's important to our culture to keep reintroducing this kind of classic music to younger generations (or "demographics").  Rave On Buddy Holly does a good job at putting together a great list of diverse artists.   Do any of them improve on the original songs?  No, of course not. But there are lots of great versions of these classics, and if Rave On turns some new people on to Buddy Holly's music, then mission accomplished.

I think my favorite songs on the album are Paul McCartney's "It's So Easy," Karen Elson's "Crying, Waiting, Hoping" and Cee-Lo Green's "You're So Square (Baby I Don't Care)." Sir Paul sounds like he  is harnessing the excitement that he felt when first hearing Buddy's music as a kid. It's actually kind of shocking hearing him rock out so hard!  No Expiration readers know that I really like Karen Elson, and I love her take on "Crying, Waiting, Hoping."  It's hard not to imagine that she was thinking about her soon-to-be-ex-husband (who produced the track and plays drums on it) when she was singing this.  Even still, it's a bit more upbeat than her most of the stuff on her excellent debut album The Ghost Who Walks. Cee-Lo Green? He just sells it so well.

There's a lot of other great moments: The Detroit Cobras (props to the producers for including them) on "Heartbeat," The Black Keys' "Dearest," Justin Townes Earle's "Maybe Baby," My Morning Jacket's "True Love Ways," She & Him's "Oh Boy!" and even Kid Rock's "Well All Right." It's not all good.  The singer from The Strokes and Modest Mouse both do pretty boring takes on Buddy classics.

But even the songs I don't like may serve a purpose.  If popular artists like the singer from The Strokes or Modest Mouse can attract some new people to the amazing and timeless music of Buddy Holly, then well done.

FRIDAY NIGHT: NO EXPIRATION ON VH1 - TOP 40 VIDEOS OF 2010

For the second year in a row, VH1 invited No Expiration to be a "pundit" on their year end video countdown. Full disclosure: I worked at VH1 for years, and they would occasionally ask me to comment on one of their shows, generally when a "real" pundit cancelled at the last minute and they had already paid for a crew. But I got good at being an interviewee (mainly because I was usually the interviewer, and I knew what they were looking for).

Last year, there were lots of rock bands on the countdown, which is why I got the call, but they used my comments on lots of pop artists too.  This year, the list is much more pop-heavy, but I had a great time being interviewed.  Thanks again Rick H and Rob N for thinking of me, and Riley M for two fun interviews.

For some reason, they've posted most of the videos (but not the top five) here, and people who watch VH1's countdowns (or the pop charts) can probably make good guesses of what topped the list. As seen above in a graphic created by VH1, Adam Lambert, Katy Perry, Kid Rock and Bruno Mars have made the cut. There were a lot of questions about Katy Perry's anatomy in the interview.

I was glad that Mumford & Sons' "Little Lion Man" is on the list, I've written about them before.  They are one of my favorite new bands (even though they sound like they're from 1945). Also on the list: Muse, whose "Resistance" is one of he best songs of the past two years. One of the best videos of the year is Jack Johnson's "At Or With Me" which features Saturday Night Live's Andy Sandberg, I'm glad that made the cut.

Not that I only enjoy the more "rock" artists on the list.  I definitely dig P!nk's "Raise Your Glass," which is a great 2010 anthem (despite the lazy lyric "if you're too school for cool"), and also the Lady Gaga/Beyonce duet "Telephone." Also the Jay-Z/Alicia Keys classic "Empire State Of Mind" and both Eminem tracks, "Not Alone" and "Love The Way You Lie" featuring Rihanna. Anyway, tune in and find out what song is #1!

THE ALLMAN BROTHERS BAND BEACON BOX

The Allman Brothers Band is about to kick off their latest March Madness string of NYC shows.  It will be hard to beat last year's run: they were joined, over the multi-night stand, by Eric Clapton, Gary Rossington of Lynyrd Skynyrd, Bob Weir and Phil Lesh of The Grateful Dead, Sheryl Crow, Kid Rock, Buddy Guy, Billy Gibbons of ZZ Top and many others.  The box set costs $500.  You got that right.  But it's 49 CDs! Not bad for that price! Although you can get the concerts individually for $27 each.  Find out more here. I have a recording of the March 19 show which featured Clapton.  I've often said that he can be pretty lazy (my opinion). When he joined the Allmans onstage, that was not the case. You should check out some of these shows. 

LYNYRD SKYNYRD TO KEEP ON TRUCKIN'

I was wondering if Lynyrd Skynyrd would finally retire following the death of original pianist Billy Powell earlier this year, but it seems like they're gonna keep on keepin' on. The band announced today that they have a new album coming out on Loud & Proud Records (owned by former CMC and Sanctuary Records guy Tom Lipsky, and distributed by metal label Roadrunner), and it features six tracks that Billy Powell played on. They are also going to tour again with Kid Rock this summer. I'm not the hugest Kid Rock fan - I saw him open for Aerosmith a few years ago, and after a while the songs were kind of same-y - but I love his unpretentiousness. And he does have a bunch of good songs. And he supports lots of cool artists - he recently did a tour that featured special guest appearances each night from Reverend Run from Run-D.M.C., Peter Wolf from The J. Geils Band and Dickey Betts formerly of The Allman Brothers Band.

In other Kid Rock/Skynyrd news, I hear that Kid Rock and Skynyrd's guitarist Gary Rossington are going to be the guests at one of The Allman Brothers Band March Madness shows at the Beacon Theater. The only other time I ever saw Kid perform was at that same venue, he joined Gov't Mule onstage (along with ex-Metallica bassist Jason Newstead) for an awesome version of Black Sabbath's "Sweet Leaf."

9/11 MUSIC PART 2: THE CONCERT FOR NEW YORK CITY

On October 20, 2001 - just over a month after 9/11 - VH1 organized The Concert For New York City. I had just started working at VH1, and I gotta say, I was really proud to work there at that moment. I wasn't involved in the concert, but I knew people who did: I watched from home with my girlfriend (now my wife). 

There were a lot of really good sets: David Bowie opened with a really interesting version of Simon & Garfunkel's "America" and then did his own classic"Heroes"; Eric Clapton played with Buddy Guy; Billy Joel played with his band, Elton John played solo and they did a duo thing also; Mick Jagger and Keith Richards performed together, John Mellencamp played and was joined by Kid Rock; James Taylor played, and Paul McCartney headlined. 

But everyone knows what the highlights of the show were: Adam Sandler's set as "Operaman," and, of course, The Who's performance. I listened to both today, actually. Sandler's set shows the healing power of laughter. It must be one of the greatest comedy performances of all time. And The Who. Wow. Since they started reuniting in 1989, they've been approximating their old greatness, and sometimes hitting it. It's not really realistic for anyone to think that they can exceed the heights they achieved when Keith Moon was alive. And yet, on this night, they did. I've seen it rated as one of their best performances ever, and was the only post-Moon performance to be included on that list. 

I remember an exec at VH1 saying that they should have had more "modern" bands, although The Goo Goo Dolls, The Backstreet Boys, Destiny's Child, Five For Fighting and Jay-Z were on the bill (Jay-Z in particular was so lame I was embarrassed for him).  This guy has great instincts and has become even more successful since then. But how wrong he was: adding Sugar Ray and matchbox twenty wouldn't have really worked. The crowd needed larger than life artists and larger than life songs to lift them up and help them mourn. They needed music by The Beatles, The Rolling Stones and The Who, not Smash Mouth.