BEST OF 2011 - #6 - GREGG ALLMAN "LOW COUNTRY BLUES"

Gregg Allman is one of the great blues singers still walking the earth.  He just needs to have good material.  Happily, he decided to work with T-Bone Burnett for his new solo album, Low Country Blues.

People who aren't familiar with the guy may wonder why he even needs to make a solo album, since he is the leader of The Allman Brothers Band. The difference is that the Allmans are a jazz-influenced blues band, and are the gold standard in improvisational rock music (what is now known as "jam band" music). But Gregg is mainly interested in singing blues and soul, and seems happy to keep the length of his songs under five minutes.  While I love the Allmans, and they've undeniably had a huge influence on rock music, I also love to hear Gregg belting out blues tunes without all the jamming that is sometimes part of the Allmans music.

It's not the most innovative record of the year, and I don't care. And I don't see it on many (or any) "Best of 2011" type lists... again, I don't care.  It seems that the main "heritage" artists being celebrated this year are Paul Simon for his excellent So Beautiful Or So What, and Robbie Robertson for his great How To Become Clairvoyant. But this album needs to be recognized.  Gregg's last solo album, released in 1997, was called Searching For Simplicity.  But this one could just as easily have gotten that title. And sometimes what I want to hear is simplicity.  Especially when it sounds as soulful as this.

TOMORROW ON OUTQ: SOCIAL D, GREGG ALLMAN, CAKE

For those of you who are new to No Expiration, every Wednesday morning, I am a guest contributor to the SiriusXM OutQ show The Morning Jolt with Larry Flick (co-hosted by Keith Price). Every week I talk about music and this week, I've got some great stuff to discuss.  I usually go on at at 9 am ET, but tomorrow I'll be on at 9:25, I'm being pre-empted for Miss America, believe it or not. Larry was nice enough to invite me to sit in on that, but I'm more than twice her age, so I'll pass!

First off is the new Social Distortion album, Hard Times and Nursery Rhymes. Mike Ness makes you wait a long time inbetween albums, but in my mind, it's worth it. I've never felt let down, by either Social D's albums or his solo records. However long it takes him to make them is fine with me.

Gregg Allman's first solo album in over 15 years, Low Country Blues, is also worth the wait. Very different from an Allman Brothers Band album, the record sees him teaming up with "Him Again," the great producer T-Bone Burnett. They make an amazing team, and they've produced an excellent album. I love it.

I've been a Cake fan since 1994: I remember seeing them at The Mercury Lounge in NYC in maybe 1994 or 1995. I had no idea that they'd get as big as they did, but I think they have that... thing ... that makes a band become a "cult" band. They have a career and most of the country don't even know who they are. It's a beautiful thing. They don't have anything to do with trends, they totally do their own thing, and I really admire them. But I'm a fan because of their great songs. I didn't love their last album, but the new one, Showroom Of Compassion, is growing on me, and I'm told it's the #1 album in the country this week!

The Jayhawks are a great "Americana" band, and they are reissuing what are arguably their two best albums, 1992's Hollywood Town Hall and 1995's Tomorrow The Green Grass this week. The latter has "Blue," which is a perfect song if there ever was one. These guys should have been bigger than they were. The band has recently reunited with their principal singer/songwriters Marc Olson and Gary Louris, and have a new album coming out this year. But both of these reissues are really worth your time and money, especially if you don't have them yet (but the bonus tracks make it worth it, even if you do).

Finally, this week Pearl Jam release their second live album, Live On Ten Legs. Although given the fact that they've released "official bootlegs" of pretty much every concert they've done for the past decade, I don't really see the point - it would have been cooler if they put all their rare covers or one-off guest spots on the album. I don't really need more versions of "Jeremy" and "Rearviewmirror" as much as I like those songs.  I have like 20 official bootlegs!  It does have one very cool rarity: a cover of the Public Image Ltd song "Public Image." Which I bought on iTunes. But if you don't have any live Pearl Jam stuff, you're missing out, and this would be a great place to start.