I wanted the Foo Fighters' Wasting Light (my second favorite LP of 2011) to win Album of the Year at the Grammys. I'm not mad that Adele won for 21, but wow, Wasting Light was great.
It reunited Dave Grohl with Nirvana bassist Krist Novoselic, Nevermind producer Butch Vig recorded it with them in Dave's garage, and it saw Pat Smear rejoin the band (and there's a great guest appearance by another punk legend, Bob Mould).
I saw some noise on Twitter that the Foo Fighters are the band that always get attention from TV shows. It's like they are the token rock band for award shows. And I've read interviews with Dave Grohl where he kind of says that. I'd agree that some of their albums may get a bit of a "pass," because people buy into Dave so much. They love his story, and by all accounts, he's a really cool guy despite all the band's success. They have cred, but they're not snobs. Dave can show up at a punk club one night, and then jam with Paul McCartney at the White House. People love that.
But in 2011, no other band had a rock record with mainstream appeal that worked from start to finish. Great singles, cool videos, but start to finish the LP works. It's not just my opinion: I think they played every song on the album at their concerts. How many bands with that many hits, with that many albums, can play all their new songs in concert and have it go over. And by the way, their concerts are all in arenas.
I remember seeing one of the Foo Fighters' first shows - opening for Mike Watt before the first LP was out. I don't think it was even common knowledge that it was Dave Grohl's band. They were great, but they were a club band. Years later, I saw them at Giants Stadium opening for The Rolling Stones. They seemed a bit "fish out of water," but they played with a lot of heart and soul. A few years later, I saw them open/co-headline with The Red Hot Chili Peppers and it clicked. Grohl had opened for them years earlier with Nirvana. I think seeing the Chilis handle playing large venues helped it kick in for him. Today they are one of the mightiest arena bands in the land, and I mean that as a 100% compliment.
I was so glad to see them win a ton of Grammys last night, and of course their main performance rocked (the dance music thing felt a bit forced: I'd like to see them do something with Deadmau5 without the other artists that were included in that). And seeing Dave jamming with Paul McCartney, Joe Walsh and Bruce Springsteen at the end of the night was amazing. But tonight, he could be at a Bad Brains show. That's what's so great about him.
Showing posts with label Wasting Light. Show all posts
Showing posts with label Wasting Light. Show all posts
Monday, February 13, 2012
Tuesday, December 27, 2011
BEST OF 2011 - #2 - FOO FIGHTERS "WASTING LIGHT"
I loved Foo Fighters' Wasting Light the minute I heard it and I said so. Dave Grohl and the boys have never made a bad album, but this is certainly one of their best, if not their absolute best. Considering that the guy has nothing to prove, and has probably lived out all of his rock and roll dreams, it would almost be understandable if he just coasted. But I'm glad he hasn't done that: and as a lifelong rock fan, I think he knows that sinking feeling you get when an artist that you love lets you down. I doubt he gets too caught up in what people think of him, but I know he doesn't want to put out a lame album. The fact that this comes twenty years after Nirvana's Nevermind (and features Nirvana's Krist Novoselic on two songs, and it is produced by Nevermind's Butch Vig) just shows that Dave has been really vital for a really long time.
I do think that sometimes the Foo Fighters albums get a "pass" because people like the band so much. Which is nice. But in this case, it isn't necessary, and that's even nicer.
I do think that sometimes the Foo Fighters albums get a "pass" because people like the band so much. Which is nice. But in this case, it isn't necessary, and that's even nicer.
Labels:
Butch Vig,
Dave Grohl,
Foo Fighters,
Krist Novoselic,
Nevermind,
Nirvana,
Wasting Light
Sunday, April 17, 2011
FOO FIGHTERS - WASTING LIGHT
I love this album. The Foo Fighters' Wasting Light is one of their best LPs, certainly their best album since 1997's The Colour and The Shape.
Recorded on all analog tape (a piece of the actual master is included in the album if you pre-ordered, I have one) in Dave Grohl's garage (a "ballad-free" zone) it is loud and rocking. When the band recorded two new songs for their Greatest Hits album in 2009, Dave reunited with Nevermind producer Butch Vig. I guess they enjoyed working together ("Wheels" is a great song, albeit 100% different from what they've done here), so they decided to do a full album.
Pat Smear, who was a member of the original Foo Fighters band, rejoined as a touring member after the release of 2007's Echoes, Silence Patience and Grace, and now he's back in the band full time... but Chris Shiflett is still in the band also, so they now have a muscular three guitar attack.
Grohl comes from a hardcore punk background, but his great sense of melody comes through on every song he writes. So even when the guitars and drums are crashing down, there's still great melodies, his songs are memorable. Some of the recent Foo Fighters albums have had a bit of filler - this album has none. If I write about highlights, I'll end up mentioning every song on the album. Seriously. But I will mention "Dear Rosemary," which features Bob Mould on guitar and vocals. Grohl is always really cool about citing his influences, and lately he's been saying that without Bob's old band, Husker Du, he wouldn't be doing what he's doing. I think the band's lineup is maxed out at five members, but I'd love to see Bob join the band! Also, Krist Novoselic plays bass and accordion on "I Should Have Known." It's a great song that will kick ass when they do it live.
It's been a long time since I've said that a Foo Fighters release would be one of my favorite albums of the year, but this will be in the running for my top 10.
Recorded on all analog tape (a piece of the actual master is included in the album if you pre-ordered, I have one) in Dave Grohl's garage (a "ballad-free" zone) it is loud and rocking. When the band recorded two new songs for their Greatest Hits album in 2009, Dave reunited with Nevermind producer Butch Vig. I guess they enjoyed working together ("Wheels" is a great song, albeit 100% different from what they've done here), so they decided to do a full album.
Pat Smear, who was a member of the original Foo Fighters band, rejoined as a touring member after the release of 2007's Echoes, Silence Patience and Grace, and now he's back in the band full time... but Chris Shiflett is still in the band also, so they now have a muscular three guitar attack.
Grohl comes from a hardcore punk background, but his great sense of melody comes through on every song he writes. So even when the guitars and drums are crashing down, there's still great melodies, his songs are memorable. Some of the recent Foo Fighters albums have had a bit of filler - this album has none. If I write about highlights, I'll end up mentioning every song on the album. Seriously. But I will mention "Dear Rosemary," which features Bob Mould on guitar and vocals. Grohl is always really cool about citing his influences, and lately he's been saying that without Bob's old band, Husker Du, he wouldn't be doing what he's doing. I think the band's lineup is maxed out at five members, but I'd love to see Bob join the band! Also, Krist Novoselic plays bass and accordion on "I Should Have Known." It's a great song that will kick ass when they do it live.
It's been a long time since I've said that a Foo Fighters release would be one of my favorite albums of the year, but this will be in the running for my top 10.
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