TODAY ON OUTQ: ROCK, FROM PUNK TO INDIE

For those of you who are new to No Expiration, every Wednesday morning at 9 am (ish), I go on the SIRIUS XM Channel OutQ, on The Morning Jolt with Larry Flick and talk about music. Normally, I write about what I'll be talking about the night before: however, last night I was rocked by The Dead Weather who played Prospect Park in Brooklyn.  Review coming soon!  Anyway, today, I'll be talking about a number of different rock bands.  One of the most anticipated albums of the year, Gaslight Anthem's very important third album, American Slang - they've recently gone from playing clubs to larger halls (they are playing Radio City Music Hall in the fall). Another of the most anticipated albums of the year, Arcade Fire's very important third album, The Suburbs, has the indie fans going crazy.  I'm not going crazy for it, but they are one of the only bands that the indie set has hyped in the past few years that I like - and unlike most of those bands, Arcade Fire will have a career (they are playing two nights at Madison Square Garden later this year!!). Trent Reznor's new post-Nine Inch Nails project is How To Destroy Angels, and they just released their debut EP.  I like it, but it sounds a bit like NIN with a different singer.

I'm also talking about the recent album by punk rockers Against Me!, new music by The Smashing Pumpkins (which is basically Billy Corgan and whoever he hires), and one of my least favorite '90s bands, Stone Temple Pilots.

WHAT THE WHAT? ALICE IN CHAINS PLAYING WITH STP?

I was surprised to see that Alice In Chains is playing a gig with Stone Temple Pilots this weekend.  It turns out it is one of those kind of lame radio station spring concerts, that they use to force bands to play in exchange for airtime.

Still, as I wrote about a while back in a post called "Sour Boy," I mentioned that when STP first hit the national scene, I heard people saying they ripped off Pearl Jam.  I saw their first video for "Sex Type Thing," and didn't get the comparassion.  They were like an Alice In Chains tribute band. Then I saw "Plush" and understood why people thought they were ripping off PJ.

I feel bad hating on them. Frontman Weiland has some serious issues.  I just read an interview with him in the new Rolling Stone. He mentioned that he still drinks sometimes.  That's just sad.

Anyway, AIC are doing a much cooler tour later this year, with Mastodon opening.  I definitely want to catch that show.

SOUR BOY (OR HOW I ALMOST MADE PEACE WITH WEILAND AND STONE TEMPLE PILOTS)

Recently, I bought song "Sour Girl" by Stone Temple Pilots at the iTunes store. This is notable because this was the first time I ever spent any money on the band. 

Some may find that odd, as I am a big fan of many of the other loud "alternative" rock bands that were popular during the '90s.  I have kept the "hate-o-rade" to a minimum here, but hear me out. 

But when I saw them on MTV, it was the "Sex Type Thing" video. I thought these guys were ripping off Alice In Chains (a band I loved), big time. People started saying that they were ripping off Pearl Jam, which I didn't understand. Until I saw the video for "Plush." Then "Creep" - which I thought was a bit like Nirvana's "Something In The Way." I thought they were kind of like a Seattle tribute band, who had forgotten to cover Soundgarden. 

Then I heard their first single from their second album, "Wicked Garden," which reminded me of "Spoonman." I just couldn't take these guys seriously at all. Meanwhile, a lot of other bands that seemed to be jumping on the bandwagon - Candlebox, Bush, Sponge, etc. - seemed to be crawling out of the woodwork. It surprised me that any fans of bands like Nirvana, Soundgarden, Jane's Addiction, etc. would swallow this stuff. It turned out that people didn't like the bands because they were "authentic" or "credible" - but because they liked the songs (and because they seemed to be part of the zeitgeist of the moment). I worked as a DJ at a bar, and absolutely refused to play their music, which was childish and immature. 

I eventually admitted to myself that they did write some pretty good songs: "Interstate Love Song," "Big Empty" and "Big Bang Baby" were good, and they did a kind of interesting version of Zeppelin's "Dancing Days." I even liked "Mockingbird Girl" by Weiland's side project, The Magnificent Bastards. I thought "Sour Girl" was their best song (although it sounded nothing like anything else they ever did, more like The Association than any alternative rock band). 

I never really liked Weiland's post-STP band Velvet Revolver, featuring ex-members of Guns N' Roses, a group Weiland probably wouldn't have admitted to liking during the heyday of "alt-rock." He recently quit/was thrown out of the group, and has reunited with STP. But his press release announcing his departure was such a lame cheap shot: he suggested former Skid Row singer Sebastian Bach, rather sarcastically. I've never really liked Skid Row anyway, but it seemed like Weiland saying, "I'm taking my credible alt-rock ass out of your world, return to hair metal now" or something. At least Bach doesn't change his look for every video: he represents a certain kind of music and stands behind it and never worries about being trendy. Still, the other guys in STP seem OK - they seem like dudes who listened to Zeppelin and The Clash - so I don't want to hate on them. And I realize that Weiland is a seriously messed up guy who will probably never conquer his demons. But still lame. 

OK, enough hating.