Showing posts with label 33 1/3. Show all posts
Showing posts with label 33 1/3. Show all posts
Tuesday, April 6, 2010
BRUCE SPRINGSTEEN: WORKING ON A DREAM
There are lots of books out there about Bruce Springsteen, but this new one is notable. David Masciotra's Working On A Dream: The Progressive Political Vision of Bruce Springsteen focuses on his... well, his very progressive politics. He's always been an advocate for the working class. I haven't read it, I've just read about it, but it seems like a cool book (and it published by Continuum Books, who put out the 33 1/3 series.
Labels:
33 1/3,
Bruce Springsteen,
David Masciorta,
Working On A Dream
Wednesday, August 5, 2009
LET'S TALK ABOUT LOVE... NO REALLY!

I'm not a fan of her music. But she doesn't seem like a bad person. As I always say about people *hating* artists, I always say, "well, they didn't kick my dog!" In other words, most artists - and certainly not ones like Celine Dion - don't make music to annoy you, quite the opposite. I remember when she was up for an Oscar against hipster darling Elliott Smith, the hatred aimed at her was just ugly. The book uses this as the jump-off point. It's a really great book, and looks into why we like what we like. A lot of Celine fans really love her - she really means something to them. What's wrong with that? They aren't people obsessing over music magazines or blogs. But does that make their love less legitimate? If I had more time, I'd make some kind of study of the life cycle of blog favorites - the indie community seem to lose interest in bands really quickly. Celine's fans are fans for life. There are some pretty moving stories about Celine fans in the book. I can't say I'm going to go out and buy her music, but I definitely recommend the book, and I wonder if she knows about it.
Sunday, May 24, 2009
33 1/3's "CHOSEN ELEVEN"

Some great albums will be featured: Portishead's Dummy, Johnny Cash's American Recordings (which Bob Dylan just ripped in his recent Rolling Stone interview, but whatever, they were awesome), Television's Marquee Moon, Liz Phair's Exile In Guyville, AC/DC's Highway To Hell, Radiohead's Kid A and The Rolling Stones' Some Girls (one of my favorites by them, it's the first album with Ron Wood as a real member of the band).
Labels:
33 1/3,
AC/DC,
Johnny Cash,
Liz Phair,
Portishead,
Radiohead,
Television,
The Rolling Stones
Thursday, February 12, 2009
TOMORROW ON OUTQ

Also, Willie Nelson's new album with Asleep At The Wheel, Willie & The Wheel. And Lily Allen's new album, It's Not Me, It's You. Larry Flick likes the album a lot, he made a copy for me, and I'm enjoying it too. She's Joe Strummer's goddaughter, so she deserves a listen.
Also the latest stuff from (RED)wire: This week I got Jakob Dylan and Elvis Costello covering The Clash's "Straight To Hell." I was also going to talk about The Beastie Boys' 20th anniversary reissue of Paul's Boutique. You can get a free download of a "director's commentary" track. But don't bother, it's pretty boring. Instead, you should check out the 33 1/3 Paul's Boutique book, which is the whole story behind the classic album. I'll also be talking about the 33 1/3 series, and I have a few editions to bring in and discuss if time permits.
BLACK SABBATH'S MASTER OF REALITY: THE BOOK

The 33 1/3 book based on Black Sabbath's Master Of Reality falls into the latter category. It's about a metal fan whose parents send him to a mental institution, where they have him write a journal. The first half of the book is the journal entries to the guy who runs the boy's ward, they are all basically pleading to let him listen to Master Of Reality. I don't want to give much away, but the second half are letters to the same guy, ten years later, from the boy (now a man) telling the guy how he was affected by the incidents described in the first half. (It also makes a good argument to check out Black Sabbath's Born Again, their single album with Ian Gillian.)
Although I've never spent time in a mental home -- or maybe because I haven't -- I was a bit alarmed by how much I related to parts of this book, and how moved I was by it. It doesn't matter if you like Sabbath, you don't have to like them or really know much about them. It's really about being that age, loving a certain band or form of music, and identifying so much with it, it seems like it means the world. If you've ever loved a band that much, no matter what kind of music they are, you should check this book out.
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