TOO MUCH HENDRIX? NO SUCH THING. WINTERLAND ROCKS!

A couple of months ago, I was driving a friend home in my car and playing the then-recently released Jimi Hendrix collection Valleys Of Neptune. I explained that it was a brand new release with (sort of) previously unreleased recordings.  He asked, "where do they keep finding this stuff?"  It's a good point -- for a guy whose career lasted about four years, there are a hell of a lot of Jimi Hendrix releases out there. And given the fact that in the past two decades, the catalog has resided at Warner Brothers, MCA, Universal and now Sony (with some live stuff licensed to Rykodisc, and the Band Of Gypsys album on Capitol), things can get confusing.

That said, the recently released Winterland box set is something you should have if you're interested in hearing some amazing live performances by The Jimi Hendrix Experience.  Recorded during a six show stand at San Francisco's Winterland Ballroom in October of 1968, this was the Experience at the peak of their powers.  There's such swagger to their performance, Jimi sounds really into it, and it sounds as if he is not yet tired of playing any of these songs.  Noel Redding and Mitch Mitchell are tight as hell. The band is incredible, and they all know it.  Playing distorted guitar at that point in time was still a relatively new thing, and it was probably even considered a political act, an act of liberation.  There's a lot of improvisation going on, and that was still probably relatively new in rock and roll and popular music.

The box set is 4 CDs. The first three feature full shows, and the fourth has spare tracks from some of the other shows, plus a cool interview with Jimi.  And you may wonder if you really need four more live versions of "Purple Haze."  You may, you may not.  But some of his songs that show up multiple times on the box - like "Are You Experienced?" and "Red House" have varying lengths at the different shows, and it's interesting to hear his different takes on the same song from one day to the next.  The "Are You Experienced?" versions are definite highlights here - on one, he has a flautist (Virgo Gonslaves from opening act The Buddy Miles Express) as he does on the album version. The other has no flute. "Little Wing" is amazing.  "Manic Depression" kicks ass, as does "Voodoo Child (Slight Return)."  The instrumental cover of Cream's "Sunshine Of Your Love"  is great, as is the cover of of Nordic rockers Hansson and Carlsson's "Tax Free."

For those of you who want a taste of this without having to go all in on a box set, there is a single CD version of this, but I'm a box set fan, and Sony Legacy (who provided me with a review copy) did a great job with this box, I would definitely have purchased it, and I recommend it highly.

ERIC CLAPTON AND STEVE WINWOOD LIVE AT MSG: WORTH THE BUCKS (for the CD)

For decades, Eric Clapton never really had to look back that much. He is so enduringly popular as a solo artist, that he hasn't had to reunite with anyone. In 2003, he joined John Mayall onstage for the latter's 70th birthday concert (you can hear the amazing results on John Mayall & The Bluesbreakers and Friends 70th Birthday Concert). In 2005 he had his "hell freezes over" moment and reunited with Cream for four nights at the Royal Albert Hall (followed a few months later by three nights at Madison Square Garden). Soon after that, he kind of made peace with the ghosts of Derek & The Dominoes -- he hired Derek Trucks of The Allman Brothers Band (he was named after the group) for his backing band, and performed Dominoes songs that he hadn't done in decades. (I thought it would have been nice if he included Dominoes keyboardist/singer Bobby Whitlock, but oh well). Then, in 2008, he revisited Blind Faith -- sort of -- with singer/keyboardist/guitarist Steve Winwood with a couple of shows at Madison Square Garden. (I say "sort of," because they declined to invite drummer Ginger Baker -- whom Clapton dealt with in the Cream reunion.)

Meanwhile, Winwood, who had done a few Traffic reunions over the years, is now unable to reunite with that band, as drummer/singer Jim Capaldi passed away a few years ago, and Winwood and Traffic guitarist/singer Dave Mason hate each other. Short of rejoining The Spencer Davis Group, Blind Faith is the only band he can revisit with a member he can deal with. But a funny thing happened a few years back: after years of making boring adult contemporary albums (much like Clapton's), Winwood got his mojo back with 2003's very Traffic-like About Time. (Unfortunately, he sort of lost it again on last year's Nine Lives, which came out at around the time of these shows.)

So, anyway, this show could have been a really schmaltzy affair done as a money grab by two legends who have been mostly coasting for decades. But there are some inspired moments here - even on some of thier '80s hits: Winwood's "Split Decision" (which I think originally featured Joe Walsh on guitar) and Clapton's "Forever Man" (sung as a duet) are both pretty great.

But the best moments, unsurprisingly, are when they revisit Blind Faith - you can't really call it a "catalog," as they only had one album. Opening with the track that kicked off their self-titled album from 1969, "Had To Cry Today," you can hear the "unfinished business" that Clapton mentioned when they originally announced the duo shows. "Presence Of The Lord," also sung as a duet (on the album, Winwood did all the vocals, with Clapton sticking to guitar) is pretty moving, considering all the things he's been through over the decades. But Sam Myers' "Sleeping In The Ground," Buddy Holly's "Well All Right" and of course their greatest song, "Can't Find My Way Back Home"... there's not a bad moment there. Clapton avoids Cream, playing mostly stuff from his solo repertoire, but also rocks Derek's "Tell The Truth." When they cover Winwood's Traffic stuff, it's also great, especially "Mr. Fantasy." And I have to mention the trio of Jimi Hendrix covers - "Little Wing," "Voodoo Chile" and "Them Changes" (the latter was done by Jimi's Band Of Gypsys, and was actually written and sung by drummer Buddy Miles - who passed away just a few days after this Clapton/Winwood performance was recorded). I was pretty cynical about these shows: in fact, I didn't even try to go because the pricing was aimed at what Lennon referred to as the "rattle your jewelry" crowd. I still maintain that they charge too much for these shows, but this live album proves that there is still some inspiration in Clapton and Winwood. And now I'm thinking twice about ignoring the Clapton/Jeff Beck shows.

"THE DEVIL & GINGER BAKER"

The last issue of Rolling Stone (Barack Obama cover) has a great feature called "The Devil and Ginger Baker" about the former Cream and Blind Faith drummer. The writer, Jay Bulger, is shooting a documentary on Ginger, one of the greatest drummers of all time, and one of the most difficult. You should check out the issue if you can still find it.

I actually interviewed Ginger Baker on the actual day that he was being deported from the U.S. The feds nabbed him for allegedly hiring some people without green cards on his Colorado ranch, and that, combined with something he got busted for 30 years earlier during the Blind Faith days, allowed them to force him out of the country. He moved to Africa where he now lives. But he had just released a jazz album with some local Colorado musicians, and was promoting it on his last day in the country. What a cranky guy. The interview was in a radio studio, and he asked me if he could smoke. I said no. He said, "What are you gonna do, arrest me?" That's how the interview went. A few months later, I told this story to Jack Bruce, who laughed and shook his head.