Showing posts with label Jerry Lee Lewis. Show all posts
Showing posts with label Jerry Lee Lewis. Show all posts

Friday, April 15, 2011

HEY, IT'S RECORD STORE DAY THIS WEEKEND!

Well, if you've been reading No Expiration, you know I love record stores, and more than that, I love rare tracks and B-sides. That's why Record Story Day is so cool! It encourages people to go into record stores, which has been such an important part of so many peoples lives.  I'm not saying that the decline of the record store is as tragic as, say, an animal facing extinction.  But it is a bummer that lots of kids have never known the thrill of going to a record store, thumbing through the racks, finding that hard-to-find record, or even finding something they've never heard before.  Yes, there were ornery record store clerks everywhere from the small indie store to Tower Records (see: Jack Black's role in High Fidelity), but there were also really cool people working at record stores, too, who could lead you to great music you might not have known about.

As for me, I'll be in class all day Saturday at NYU (a marketing class - interesting for sure, but not as much fun as going to record stores) and that night I'm seeing Chris Cornell's solo acoustic show in Montclair, New Jersey. And there aren't really any good record stores near me, anyway. But if there's one near you, do take advantage of it. You can learn more about Record Store Day at their website (you can find out where the closest record store to you is, and see a list of exclusive releases).  And if you're on Twitter, why not Tweet about your Record Store Day experiences (use the hashtag #rsd11, and follow them at @recordstoreday).  I'll tell you what, if I had my way, I'd head to Nashville to go to the Third Man Records store: Jerry Lee Lewis is performing there that day, and in true Third Man fashion, they're going to have t-shirts (limited edition, of course) promoting the show. Check this out below... how cool is that?

Tuesday, September 14, 2010

TOMORROW ON OUTQ: *BOLD FACED* GUEST STAR ALBUMS

For those of you who are new to No Expiraton, every Wednesday morning at around 9 am ET-ish, I go on the SIRIUS XM OutQ channel's The Morning Jolt with Larry Flick (also featuring co-host and professional comedian Keith Price) to talk about music. This week, I'm going to be talking about a bunch of albums that are filled with "star studded" guests.  Sometimes these albums kind of work: Santana's first foray into this, 1999's Supernatural, obviously connected with a lot of people and achieved that ever-elusive goal of "introducing an icon to a new generation." Ray Charles' 2004 Genius Loves Company seemed to be very successful as well. Last year, one of my favorite albums was N.A.S.A.'s Spirit of Apollo, which had guest stars galore. What's more, I bet none of them were in the same room when they were recording.  Generally, I think people should be together when they record together, it provides a "vibe," for lack of a better term.

Jerry Lee Lewis just released Mean Old Man, his second album in a row of "all-star collaborations." 2006's Last Man Standing featured some cool collabs and this is like the sequel. I don't get the sense that too many of these were done in the same room (most of the songs credit an "overdub engineer") and many of them sound like they were literally phoned in. But there are some great moments. Kid Rock (sounding like Steven Tyler) and Slash are both on "Rockin' My Life Away," which is pretty rockin'. If Kid wants to join a band, he could make everyone forget about Weiland if he joined Velvet Revolver. I generally don't like updates of songs featuring the original artist, but on Jerry's last album, he did Led Zeppelin's "Rock and Roll" with Jimmy Page, and I dug it. This time around he takes on two Rolling Stones classics: "Dead Flowers" with Mick Jagger and "Sweet Virginia" with Keith Richards, both of which work (but I like "Dead Flowers" better). Another great moment here (available only on the deluxe edition) is the spiritual "Railroad To Heaven" with Solomon Burke. There are great moments with Gillian Welch and an interesting take on "You Are My Sunshine" with Sheryl Crow. This album isn't where I'd start out if I had no Jerry Lee in my collection, but it's fun.

Ronnie Wood was originally going to do an album of duets with the likes of Eddie Vedder and Amy Winehouse. But his new album, I Feel Like Playing, doesn't feature any duets. Amy is nowhere to be found, and Eddie Vedder co-wrote "Lucky Man," but doesn't actually sing on it. Not to say that there aren't a lot of guests here: Slash, Flea, Billy Gibbons of ZZ Top, Bobby Womack and Ian McLagan of The Faces are some of the guests who help out. "I Gotta See" is a sweet soul ballad that prominently features the vocals of Bobby Womack. I think Ronnie is really underrated as a songwriter, singer and frontman, but I guess that's what happens when you are in bands with Mick Jagger and Rod Stewart!

Herbie Hancock's The Imagine Project is his third Supernatural type collaboration album in a row, after 2005's Possibilities and 2007's The Joni Letters, which shocked everyone by winning the Album of the Year Grammy Award. The Imagine Project is all covers and collaborations. I checked out his take on the Peter Gabriel/Kate Bush classic "Don't Give Up" by John Legend and P!nk. It's nice, but isn't classic (the best version I've heard other than the original is a Willie Nelson/Sinead O'Connor duet version). Much more interesting is "Timitant Tillay/Exodus." "Timitant Tillay" is a Tinariwen song, and "Exodus" is the Bob Marley classic. It features Tinariwen, an amazing band of nomads from the Sahara Desert. I need to write a bit more about them, they're excellent. It also features K'naan, a Somali-Canadian rapper and also Los Lobos. Really cool.

The idea of David Byrne and Fatboy Slim collaborating on an album interested me: Byrne is a contrarian from the rock/pop world, while Fatboy Slim (alias Norm Cook) comes from the supposedly hipper world of electronic dance music, but loves to make music for football stadiums. Here Lies Love is a double album about former First Lady of the Philippines, Imelda Marcos, and features lots of guests including Florence (of + The Machine) Tori Amos, Sharon Jones, Steve Earle and Cyndi Lauper. It is interesting, but as is often the case with concept albums, the songs often get weighed down by the lyrics and the storyline. There are some cool parts, especially Sharon Jones' song, "Dancing Together."

Dark Night Of The Soul is a creepy and sad album. It is a collaboration between Sparklehorse and Danger Mouse. Sparklehorse, aka Mark Linkous, was most likely experiencing that around the time of the album. Tragically he committed suicide soon after recording the album. The album was sort of a collaboration between both musicians and film maker David Lynch, who put together a book of photos to accompany the album. In fact, they released the book first, due to problems with the record label - and included a blank CD with it ("someone" leaked the album online). Guest on the album include The Flaming Lips, Frank Black, Iggy Pop and Lynch himself.

Mark Ronson's solo albums are always guest-star packed affairs. He's a great DJ, producer and musician, but he doesn't sing. His albums are always really interesting, but on this one he seems to be more influenced by '80s new wave than horn-covered '60s and '70s soul. The one song I've heard is "Bang Bang Bang" featuring Q-Tip (who has been on both of Ronson's prior albums) and Amanda Warner from a new group called MNDR.

Santana is about to release his fourth guest-star-studden album in a row. This one, Guitar Heaven, features him covering some of Rolling Stone magazine's "greatest guitar songs ever" with guest vocalists. The only song I've heard is The Beatles' "While My Guitar Gently Weeps" with Yo-Yo Ma and india.arie. I really like thier take on it, but most of the album is taken up by guys who I am not a fan of: Weiland of Stone Temple Pilots, Gavin Rossdale of Bush, Scott Stapp of Creed. I am kind of looking forward to hearing Chris Cornell's take on "Whole Lotta Love" and Joe Cocker's "Little Wing."

Next week: some great new records from dude singer/songwriters.

Tuesday, June 8, 2010

TOMORROW ON OUTQ: SHOWTUNES! (REALLY)

For those of you who are new to No Expiration, every Wednesday morning at 9 am ET I go on the SIRIUS XM channel OutQ. I am a weekly contributor to The Morning Jolt with Larry Flick. Tomorrow I will

veer slightly from my usual comfort zone and talk about showtunes, albiet ones that are pretty rocking.  That's because The Tonys are this weekend. And while I'm not a Broadway guy, this year's Best Musical nominees are pretty rocking.

First is Green Day's American Idiot: The Musical which I saw a few months ago.  I enjoyed it, but the story didn't knock me out. I liked the music.  To me, there's something inherently funny about a musical - people just breaking into song.  The Simpsons have been genius at parodying this (see below video).  Still, if you can get over that, you can have a good time at a musical. In the case of American Idiot though, it was more like a cover band or a musical revue.  I guess I had higher hopes for it, but I have to admit I had fun. So, I'll be playing some songs from the cast recording, as well as some of the original versions, and also Green Day's new version of "21 Guns" with the cast.

Fela! On Broadway is the stage adaptation of the life of Nigerian musical legend Fela Anikulapo Kuti. Look him up, his music is very different from western rock and pop, it is very funky. I have a song from the cast recording and a Fela original.

The Million Dollar Quartet is about the four Sun Records legends who recorded together... once. Elvis Presley, Johnny Cash, Carl Perkins and Jerry Lee Lewis. I'm not sure how they turned this into a show - or if it is just another review. Either way, the source music is mind blowing, hopefully they do it justice.  I don't have that soundtrack yet, hopefully I can grab it in the morning.

Memphis: A New Musical is, as it says, actually new.  Which seems to be a new concept for Broadway - I'm not an expert but all of their shows based on things we've already seen and heard? I have a few songs.  I read that Bon Jovi keyboardist David Bryan wrote a lot of the songs.  It's pretty impressive. You can hear his Elton influence, but Elton was influenced by Memphis soul and R&B.

Well, I'm not a Broadway expert, so if you're listening, call in and help me out!

Anyway, here's one of my favorite showtunes, courtesy of The Simpsons.  "See My Vest." And by the way, I'm an animal lover, this is just a parody, I'm not endorsing Mr. Burns' wardrobe and neither were The Simpsons' writers.