ADELE, 6 FOR 6 AT THE GRAMMYS

I've listened to Adele's 21 twice in the last two days, before and after The Grammys.  What a triumphant night for her. She deserved every bit of it.

I voted for her a number of times. I wanted Foo Fighters to win Album of The Year for Wasting Light, but I can't be made that Adele won.  Even Dave Grohl has talked about what a great album 21 is.

Of course, with the amount of attention she's gotten and the success she's enjoyed, there are people "hating on her" (in the parlance of the times). I've written about this before. But I'll say it again. Whenever I hear her sing, I believe every word. She doesn't pretend to be anything she isn't.  I don't care if she writes songs or not - but it turns out she co-wrote all of the songs on 21, except for the cover of The Cure's "Lovesong" (which was a very cool arrangement).

I was wondering how good she would sound, and if she was ready to perform after her surgery.  I mean, even if she wasn't ready, there would have been a huge amount of temptation to get her singing a bit early to capitalize on the opportunity to perform at The Grammys, given her six nominations and the fact that her record was the best selling of the year. Well, she was ready, and she proved it.  Now I'm looking forward to whatever she does next.  Obviously I'm not alone there!

THE ROCK AND ROLL HALL OF FAME'S BALLOT

Well, today the Rock and Roll Hall of Fame announced the artists on this year's ballot.  If I were a voter, of course I'd be writing in KISS on my ballot, as they were passed over again.  That said, there are some cool artists on the ballot as it stands, and I'd have a hard time voting for just five.  But if I was a voter, I'd go with:


The Beastie Boys: no other band has jumped from style to style like them and done it all well.  Hardcore punk, hip-hop, hard rock and instrumental funk.  Add in one of the funniest phony phone calls of all time, and the fact that they introduced a generation to the plight of Tibet and the concept of non-violent protests, these guys absolutely deserve to get in.  I just hope that they do... and that Adam Yauch is healthy enough to perform at the ceremony.

The Red Hot Chili Peppers: When they started out in the '80s, I doubt many people would have expected this band to last twenty five years, or to be able to age so well.  I love their early albums with drummer Jack Irons and the late guitarist Hillel Slovak, but they really came into their own when drummer Chad Smith and guitarist John Frusciante joined for Mother's Milk.  Of course, the followup, Bloodsugarsexmagik, is a classic, as is lots of the band's second era with Frusciante (Californication is one of the best comeback albums ever). I imagine Anthony Keidis, Flea, Iron, Slovak, Smith and Frusciante will be included if the band is inducted.  I wonder if they'll include Dave Navarro and current guitarist Josh Klinghoffer.

Eric B & Rakim: I was impressed to see them included on the ballot (while being disappointed that LL Cool J, on the ballot in the past but as of yet not inducted, wasn't included). Ask any MC who knows what he's talking about: Rakim is one of the greatest of all time, if not the greatest.  I don't know if their influence on rock and roll is as obvious as that of LL, Run-DMC or Public Enemy (who are not eligible until next year).  But a lot of rock artists were listening to hip-hop during the golden era of the late '80s and early '90s, and if you were listening to hip-hop at that point, you were definitely listening to this incredible duo.  I wonder if they'll perform together if inducted.  Rakim has been doing their music in concert, but is never that cool when talking about Eric B.

Joan Jett & The Blackhearts: Every few years there's someone who comes along and kicks everyone's ass and reminds them what rock and roll is about. That's what Joan Jett did in the '80s.  She can do gigs with indie punk bands, then do the county fair with Meat Loaf or someone, and then tour with a metal band. She's respected by everyone and rightfully so.  I would vote for her if only for her song "Bad Reputation," it's just righteous.  I should also mention that she's a great music fan, and anyone who heard her former radio show on The Underground Garage would agree.  I wish she still did that show.

The Cure: as long as there as moody kids into weird dark music, there will be a place for The Cure.  They have a pretty incredible body of work, and they really developed over time.  I mean to go from "10:15 Saturday Night" to "Fascination Street" to "Just Like Heaven," that's a lot of ground and they don't really get credit for their diversity.  I wonder which members would be inducted (other than Robert Smith, of course).

I'd have a hard time not voting for The Faces/The Small Faces.  I love The Faces, they are one of the greatest pure rock and roll bands ever.  I always thought that they deserved to be inducted more than Rod Stewart did for his solo career. I think his best vocal performances were with them. I have to confess though, I don't really know much about their precursor, The Small Faces.

I'd also like to see Guns N Roses inducted. Like anyone else who was alive in 1987, Appetite For Destruction rocked my world, and they deserve to get in just for that album. And of course, who wouldn't want to see who shows up for their induction? They shouldn't get in before KISS though.

Heart is a great group, I don't know if I'd vote for them, but I certainly wouldn't object to it if they got in. I wonder which members (other than Ann and Nancy Wilson) would be included? Ann Wilson is one of the great classic rock singers.  Freddie King is a great blues guitarist, a huge influence on Clapton (as well as Beck and SRV). Definitely wouldn't object to his induction, I'm not a huge expert on the guy beyond "Hideaway." Rufus with Chaka Khan is a cool funk group, but I wouldn't vote for them. The Spinners were a great Philly soul group, I wouldn't object to them either. I've discussed Donna Summer as a Hall of Famer with Larry Flick: I don't mind a disco diva being in the Hall of Fame, especially because I think "I Feel Love" is pretty radical and badass.  But if disco is going to be represented, I'd lean more towards voting for Chic (not on the ballot this year). I think War is actually a really underrated group, I'd like to see them get in at some point. The two artists on the ballot I would object to: Donovan (I just can't take his music, its way too hippie for me) and Laura Nyro (great songwriter, but not a rock and roller).  

THE ARGUMENT - 5 MORE FOR THE HALL OF FAME

Well, it's been over a week since this year's Rock and Roll Hall of Fame induction ceremony, congratulations to Tom Waits, Alice Cooper, Dr. John, Darlene Love, Neil Diamond and Leon Russell.  In the past few days, I've written "arguments" for who I think I deserves to be inducted in 2012 (and soon afterwards): KISS, The New York Dolls, Public Enemy, Bill Withers, Rush, Joy Division and Randy Rhoads. I'm about to wrap this theme up.  But there's five more artists I'd suggest for induction in the next few years.

The Cure. Some people may say that they haven't aged well, but I disagree.  I'd argue that they are sort of timeless. No matter what is the "in" thing, there's always going to be kids dressed in all black playing songs that reflect their feelings of alienation. But most of those songs won't be as good as the ones that Robert Smith has written. Sometimes The Cure is "in," and other times they aren't, but Smith has never seemed to care what's going on in the music scene. It's funny that a lot of people don't even know what they're about. I remember in the mid-90s going to see The Cure - a metal friend of mine was at the same show.  The next day he remarked that the show was really close to being a metal show. Everyone wearing black, really intense band, loud guitars.  I mean, "Fascination Street" is loud guitar rock.  I've read that Hendrix is one of Smith's biggest influences. This isn't the kind of the music that Hall of Fame voters generally gravitate towards, and they've never gotten much support from Rolling Stone, but they represent rock music that lives outside of the mainstream, and maybe occasionally visits. That's an important part of rock music though.

The Beastie Boys. Has any band ever had a more unlikely career arc? Starting out as an average hardcore punk band (nowhere near as good as say, Bad Brains, Black Flag or Minor Threat), they transformed themselves into the biggest hip-hop group ever (at the time) in the mid '80s with Licensed To Ill, using Run-D.M.C.'s template of Rick Rubin production, spare beats, loud guitars and cool samples. They then created a mind blowing album of hundreds of layers of samples on Paul's Boutique. For Check Your Head, the put everything together - hip-hop jams, hard rock anthems, hardcore punk rants, and even added some really funky instrumental tracks. They became one of the few bands who could unite hipster, suburban jocks, punks and hip-hoppers, not to mention the Lollapalooza crowd. Along the way, they created the template for The Jerky Boys and a million morning radio shows (for better or worse) with "Cookie Puss," made fake country music as Country Mike, shot some iconic music videos, and went from being drunken brats to global activists, without losing any of their cool. They made it cool to care about a tiny country that many Americans never heard of on the other side of the world. And an unbelievable catalog of incredible songs.

The Red Hot Chili Peppers, one of my favorite bands ever. Like The Beastie Boys, influenced by hardcore punk, hip-hop and funk, but coming from an entirely different place (the Hollywood Hills). Also like the B-Boys, they started out as pranksters who weren't necessarily a band you'd take too seriously, but they grew up over the years, and their writing got deeper. Everything came together on Bloodsugarsexmagik, as perfect of an album as anyone's ever done. I can't wait to hear their new album, which will hopefully come out later this year.

No one works in the service of the music like Emmylou Harris. She always seems to know the right thing to do, the right inflection, to make a song hit the exact right note. She's a great writer, but if she doesn't have anything, she has no problem using other people's materials. It's not about her ego. She's a great collaborator: of course she came up with country-rock legend Gram Parsons, and then went on to become a legend in her own right. But still, it seems that she doesn't mind singing backup if she likes the song or the artist enough. And talk about aging gracefully, she seems to get better with each year. I think her older friends prefer her '70s or '80s albums, but my favorite is the one where I discovered her: Wrecking Ball.

Motorhead. I think the Rock and Roll Hall of Fame should be, above all else, about influence. Few bands have influenced more groups than Motorhead. Heavy metal would be a different genre without Motorhead. Check out their documentary, it's a big "exhibit A" for why they should be inducted.

Of course, there are lots of other artists who I think should get in, including Black Flag, Warren Zevon, LL Cool J, Willie Nelson, Loretta Lynn, The MC5, The Replacements, X, Cheap Trick and Peter Gabriel to name a few. So, tune in next year for more discussions on this topic!

TOMORROW ON OUTQ: VAMPIRE MUSIC!

For those of you who are new to No Expiration, every Wednesday morning at 9 am ET, I go on the SIRIUS XM channel OutQ to talk about music on The Morning Jolt with Larry Flick. Tomorrow, I'm talking about vampire music!  Because nothing says "summer" like pasty faced white kids dying their hair jet black, wearing all black, and avoiding the sun at all costs!  Ha ha, I kid!

First off is the new True Blood soundtrack.  I am a huge fan of the show, and I don't even have HBO! We watch it on DVD.  Anyway, with season 3 having just started, they've just released the season 2 box set and also the soundtrack. I have to express admiration here for the people who decide what songs make it to the show. They are really well chosen, they aren't done strictly as marketing, and it doesn't seem to matter what genre they are in, what era they are from, or if they are exclusive to the soundtrack. While I'm watching the show, I'm not distracted by the music, but I'm always amazed how it seems to fit, whether it's a song from the '50s like Screamin' Jay Hawkins' "Frenzy" or a newer song like Bob Dylan's "Beyond Here Lies Nothing" (used in the season finale, it was also that episode's title).  Jace Everett sings the show's theme song "Bad Things" - a choice of sheer genius by the producers, it was an already existing song. That song is available on Volume 1 and iTunes, but Everett returns this time with swamp blues dude C.C. Adcock (his self titled 1994 album is great by the way) with a cover of Howlin' Wolf 's "Evil." One of my favorite indie rock dudes, M. Ward, also covers Wolf with "Howlin' For My Baby." There are also great songs by Beck and eels.  I was actually disappointed with a Lucinda Williams/Elvis Costello song, and a Robbie Robertson song. But overall, it is a great listen.

This weekend the new Twilight film opens.  I haven't seen any of the films or read any of the books. About a year and a half ago, Larry and I discussed the original Twilight soundtrack, comparing it to The Crow films and soundtracks in the '90s. Twilight actually seems to have more legs, and is seen as a really important soundtrack to be on, three films in.  I see the soundtrack as more of a marketing thing - and I don't say that in a mean way, it's just true.  All the acts are probably familiar to hipper high school and college kids.  And the big names line up to be on the soundtrack: Muse makes their third Twilight appearance, plus Dead Weather, The Black Keys, Beck (him again!), Florence + The Machine and Cee Lo Green are all on the album, which is pretty solid, I must say.

Finally, The Cure just reissued a three CD deluxe edition of their classic album, Disintegration. Disc 1 is the album remastered (and it sounds great), disc 2 is demos and rehearsal versions (only for the obsessives, of which there are many) and disc 3 is all the songs on the album played live in concert.  I put Disintegration on my list of the best albums of all time, but of course it isn't for everybody.  But unless you need to hear every note Robert Smith has committed to tape (again, I realize many of you are out there) you really just need to listen to the main album. One misconception that people had, and maybe still have, about The Cure is that they are  a "wimpy" synthy band.  Not true: Smith is a badass guitar player, and Hendrix was a huge influence on him.  Check out "Fascination Street" from this album if you don't believe me. 

AMY WINEHOUSE DROPS OFF OF COACHELLA

I haven't written about the Coachella lineup - it is pretty cool, though, with Paul McCartney headlining opening night and The Cure headlining closing night. The middle night is problematic: apparently a lot of fans are underwhelmed at The Killers as headliners (I don't blame them) and now the #2 act, Amy Winehouse, has dropped off the bill to the surprise of, well, probably no one. People always ask me what I think of her. She's very talented, Back To Black is a great album, and it's just a shame that she's wasting her talent like this.

TOMORROW ON OUTQ: THE PRETENDERS, OASIS, THE CURE, LABELLE AND "QUEEN + PAUL RODGERS"

Tomorrow on OutQ, I'll be discussing new albums by some classic bands. The only one I really like, though, is The Pretenders' Break Up The Concrete. It's sort of a '50s rock and roll inspiried album. For some reason, it doesn't feature drummer Martin
Chambers - instead, Chrissie Hynde uses session legend Jim Keltner (who was in Neil Young's band when The Pretenders opened for Neil). But, The Pretenders are whoever Chrissie says is in the band.

There are also new albums by Oasis and The Cure. Neither moved me much, I'm sorry to say. Funk/disco/rock band LaBelle released their first album in 32 years, the stuff I heard sounds nice, but it didn't floor me. I'm actually most familiar with the least famous lady in the trio: Sarah Dash. I saw her in Keith Richards' backing band. She sang lead on "Time Is On My Side" and tore that s*** up.

Finally, there's the album by "Queen + Paul Rodgers." I'm more of a "greatest hits" guy when it comes to Queen than a die hard fan, so I don't take the album as personally as some die hard fans might, but it's really not good, and borders on the embarassing. I think Brian May, Roger Taylor and Paul should have come up with a different band name.