TOMORROW ON OUTQ: GARAGE ROCK!

First off, to longtime readers and frequent visitors, sorry that I haven't been too prolific this month. Aside from the day job at SiriusXM, I've been taking classes at NYU. I have a lot of records and DVDs to review for you guys.  And by the way - as is usually the case - I buy them myself.  I don't write positive reviews because I got something for free - even when I do get it for free.  But these days, I get most of my music from iTunes or Amazon, just like you do.

OK, so tomorrow on The Morning Jolt with Larry Flick on SiriusXM OutQ, I return to a topic that I always love: garage rock!

First off is the new Foo Fighters album, Wasting Light, which was actually recorded in a garage, namely Dave Grohl's garage (which is probably nicer than most people's houses, but still).  I wrote about this last month, and having revisited the album today, I maintain that it is one of their best, and one of the best of the year so far.  I was discussing with someone how Dave Grohl is a guy who everyone loves, but you don't hear about Foo Fighters albums being listed as classics.  This one might be a classic (but I'd argue that the first one - really a Grohl solo project - and the second one, The Colour And The Shape, are excellent).

Another great garage rock band is The New York Dolls.  I wrote about their new album Dancing Backward In High Heels in my last post.  I came late to this band's party, but I would recommend their 1973 self titled debut to anyone. The three albums they've released since reuniting in 2004 are all really good. They couldn't have the impact of that first album, but they are good records. I maintain that the Dolls belong in The Rock and Roll Hall of Fame. Frontman David Johansen was one of my favorite artists of the '00s, both because of the Dolls but also because of his great SiriusXM Radio show (yes I work there).

Also, the new album by The Strokes, which Larry gave me.  For some reason, they are just a band that I absolutely cannot get into. I remember reading all about them in the British magazine Q (I read about them there first, even though they are from New York), lots of hype.  When I heard them, I found them pretty boring. In 2004, I saw them "perform" at Little Steven's Underground Garage Rock Festival.  Maybe part of the problem was that they went on after The New York Dolls (playing NY for the first time in three decades) and before The Stooges.  They were so out of their league. I know people think their first record is a classic, but I just can't get into them. I don't "go negative" on No Expiration, but that is a band I just can't get with. But Larry and I will discuss some songs from their new album, Angles.

Other than that, this week I did the modern day equivalent of going to buy 45"s: picking garage rock songs out on iTunes. I have songs by: Spanking Charlene, a band that got signed to Little Steven's Wicked Cool Records after winning a contest. The Woggles (also on Wicked Cool) are a cool band - their singer, The Mighty Manfred, is a DJ on The Underground Garage. The Breakers from Denmark, have also recorded for Wicked Cool, I dig their new song, "The Jerry Lee Symptoms." Larry lent me some music by The Vaccines, they remind me a bit of The Smiths. And Dum Dum Girls are kind of big on the indie rock scene, and they actually cover The Smiths' "There Is A Light That Never Goes Out," but I also have one of their own songs, "He Gets Me High." People sometimes ask what the appeal of garage rock is: I don't know, I like the idea of a few people getting together with instruments and making short, great songs. I don't care if it isn't sonically innovative: sometimes it can make you feel good to be alive, and sometimes that's more important than anything else.

THE NEW YORK DOLLS - DANCING BACKWARD IN HIGH HEELS

I became a New York Dolls fan fairly late in life. I guess my first exposure to the band was singer David Johansen's solo videos on MTV back in the day: they used to always play his medley of Animals covers. Of course, after that was his era as Buster Poindexter, which in retrospect, was a very clever character (but I don't need to hear "Hot, Hot Hot" anymore).

When I finally learned about the Dolls, I wasn't into it: they reminded me of the hair metal bands that I wasn't into. But I was missing out! And in 2004, I realized it, when a publicist took me onstage to watch the band. They were playing Little Steven's Underground Garage Rock Festival, right before the two other headliners, The Strokes and The Stooges. The Dolls were unbelievable. The minute Johansen walked on stage, he just owned it. After that reunion, they started making records again.

Their latest, Dancing Backward In High Heels, is their third since getting back together. They only did two albums before breaking up, so they've more than doubled their discography! And let's get one thing straight: nothing they do will ever match the power and impact of their self-titled debut from 1973. But even though there are only two original members: Johansen and guitarist Syvian Sylvian, the current band kicks ass live and has made good records.  Dancing Backward is cool: it sort of leans heavily towards their big "wall of sound" and girl group influence, and doesn't have much of the aggressive punk rock sneer. The thing I like about that is, they are being relatively appropriate for their age, while remaining true to their influences (that said, I love the in-your-face sound of some of the songs from their last album, 'Cause I Sez So). I think the album makes more sense if you listen to Johansen's SiriusXM show (yes, I work there, but I listened to his show before I worked there), where he plays everything from Motown to opera to country to girl group songs to soft rock (like Toto and Bread!) to, well, The New York Dolls. Dancing Backward brings more of these influences to the forefront than maybe their previous albums did. "I Sold My Heart To The Junkman," with its strings and female backing singers is something that Johansen probably wanted to do for years. "Funky But Chic" is a great mission statement for the band and Johansen himself, and is one of the only rockers.

I was a bit appalled to find out what the band is doing this summer (and I imagine Morrissey - who coaxed the band out of retirement in the first place to perform at the Meltdown Festival, which he curated - feels the same way).  They are OPENING on the Motley Crue/Poison tour. I guess it's cool of those bands to take the Dolls out: they don't need openers, and at any rate, their audience probably won't "get" the Dolls. It's strange that they are promoting their least rock album on a tour with conservatively rock bands on the bill. But who knows, maybe a few people will get turned on to the Dolls, which would be a great thing. If you are one of those people, start with the 1973 album, but Dancing isn't a bad one either.

THE NEW YORK DOLLS IN 2012 - THE ARGUMENT

Last year, after the Rock and Roll Hall of Fame induction ceremony, I posted a list of artists who I thought should be inducted in 2011.  I'm glad that two of them - Alice Cooper and Tom Waits were both inducted this year. My number one choice for the Rock Hall in 2012 is KISS.


Another band I think should be inducted is a band who surely influenced KISS: The New York Dolls. 


I was a latecomer to this band for sure. One reason: they broke up in 1975, didn't really have any radio hits, and frontman David Johansen got more popular than the Dolls were as a solo artist, first under his own name, and then as Buster Poindexter. Plus, their look reminded me of a lot of hair metal bands, which has never been my thing. 


When did I change my mind?  I can give you a date. August 14, 2004.  That's when a reunited version of the Dolls (albeit, only featuring two original members, Johansen and guitarist Sylvain Sylvain, the rest of the members had passed away by then) performed at Little Steven's Underground Garage Rock Festival at Randall's Island in New York City.  It was the Dolls' first New York performance in a few decades. I was lucky enough to be on the stage (I was covering the event for VH1), and watching Johansen strut onto the stage... it was just cool. The band kicked ass.  I got their self-titled debut from 1973 (really, the only one that you need to have, it's a classic) and became a fan. 


The Dolls' influence is really widespread.  Former NY Dolls fan club president Morrissey was the guy behind their reunion. He curated the UK festival Meltdown, and convinced Johansen, Sylvain and Arthur "Killer" Kane to reunite (Kane passed away soon after, sadly). But the band for the tour was, at one point, supposed to include Nikki Sixx of Motley Crue and former Guns N Roses guitarist Izzy Stradlin'. That kind of tells the story: what other band has influenced The Smiths and The Crue? Other bands influenced by The Dolls include The Clash, The Ramones and R.E.M.


It would have been nice if The Dolls got in this year, their new album (their third since reuniting) Dancing Backward In High Heels, came out today (the day after the induction ceremony). Later this year, they will be opening a tour for the Crue and Poison. On one hand, it's annoying that they have to open for anyone, much less those guys, on the other hand, the Crue and Poison don't need an opening act, so it's cool to give The Dolls the gigs.  I hope some of the fans care. And here's hoping that the Rock and Roll Hall of Famer voters wise up to this very influential band. 

TOMORROW ON OUTQ: *MY* PICKS FOR THE ROCK AND ROLL HALL OF FAME 2011

Last week, I said that I would be going on The Morning Jolt with Larry Flick on SIRIUS|XM OutQ on Friday instead of Wednesday.  That was the plan until I ended up on the disabled list and missing a few days of work.  Rest assured, I'll be talking about Jimi Hendrix on the show soon enough.

But this week, I'll probably be talking about this year's Rock and Roll Hall of Fame induction ceremony. And also who *I* would vote for in 2011, if I were a voter. On one hand, I feel that with the long awaited induction of The Stooges, they can shut the door on the hall for a few years. On the other hand, there are lots of deserving artists, and here are a few who I would vote for. Please call in at 1-866-305-6887, or tweet @ Larry with your opinions! Below would be my ballot, with the expensive career retro, budget priced best of, and my favorite album by the artist.

First up is KISS. It's really easy to hate on them because of their crass commerciality and their marketing machine (although no one complains about Jay-Z's clothing line, sneakers, nightclubs, etc.). And because of the way Gene Simmons comes off in interviews. But I've said it before, I'll say it again: If you gave Gene and Paul Stanely a buck for every kid who bought a guitar or a drumset because of KISS, they'd double their earnings. Maybe the artists later decided that they didn't like KISS. But it was KISS that got them to start playing. That's influence.
If you have big $: Check out the The Box Set, released in 2001, which pretty much covers their entire career minus last year's surprisingly good Sonic Boom.
The best of: 2002's Greatest KISS, two discs that go through most of the non-makeup years. If you want to stick with makeup era, go with 2005's Gold (also two CDs) .
My favorite album: their self titled debut from 1974. They really had something to prove, and sounded really unified. My second choice would be 1975's Alive!

Actually, I'm not sure Public Enemy will be eligible next year: their debut album, Yo, Bum Rush The Show, came out in January of 1987, but I think a lead single may have come out in '86, which I think would make them eligible. But if anyone deserves to get in early, it's Public Enemy, and yes I know a lot of people don't think hip-hop groups should be in the Rock and Roll Hall of Fame. To me, Public Enemy is rock and roll played on different instruments. They are punk and they are metal and they are blues and they are rock and roll. In the late '80s and early '90s, everyone was influenced by them, or scared of them, or both. And by the way, they still make great records, but since those records often criticize today's hip-hop culture, hip-hop writes them off as old and out of touch. Sorry, you don't get off that easy.
There's no P.E. box set, nor a career-spanning best of, but a good compilation is 2005's Power To The People and The Beats: The Best Of Public Enemy. It covers their Def Jam years.
My favorite P.E. record? 1988's It Takes A Nation Of Millions To Hold Us Back. It's one of the best records of all time. But 1990's Fear of A Black Planet is amazing also, and so is Apocolypse '91: The Enemy Strikes Black, but by then hip-hop was already moving on to the next thing.

Alice Cooper. And by "Alice Cooper," I mean Alice Cooper on vocals, guitarists Glen Buxton and Michael Bruce, Dennis Dunaway on bass and drummer Neal Smith. When they started, it was a band, and it was a great band. People don't take Alice seriously for some of the same reasons they don't take KISS seriously: he started out as a scary badass, and later got more commerical and cartoon-like. He was on Hollywood Squares, The Muppets, and played golf. He embraced showbiz. He was scary, but fun-scary. Still, he influenced all of the early punk bands (especially The Sex Pistols and The Ramones) but also lots of heavy metal artists and rock and rollers as well.
If you have big $: get the 1999 4 CD box set The Life And Crimes Of Alice Cooper.
The Best-of: go for 2001's 2 CD set Mascara and Monsters: The Best Of Alice Cooper.
Best album: tough one, I like 1973's Billion Dollar Babies, but also 1971's Love It To Death, 1971's Killer, 1972's School's Out and the 1975 "solo" album Welcome To My Nightmare.

I've been talking about Bill Withers a bit lately, I just think he is so... maybe not "underrated" but definitely under appreciated. If you only know his big hit singles, trust me on this one. Dude has got lots of great songs, and is a great song interpreter as well. I think if he was on Motown or Stax he would have gotten more props. He's one of the great soul/R&B singers of all time. Trust me.
There's no Bill box set that I know of, but never mind that, we all need to check out the documentary Still Bill The Movie. But for a best-of, go with 1994's Lean On Me: The Best Of Bill Withers.
My favorite album would be his debut, 1971's Just As I Am, followed by the follow-up, 1972's Still Bill. Also 1973's Live At Carnegie Hall.

Tom Waits is weird, and "weird" is important to rock and roll. Not everyone is weird, and not everyone has to be. But when someone can combine "weird" with great songwriting, it's a wondeful thing. Combine that with a great presentation and a unique voice? Well, that's Tom Waits. I was late to get into Waits, and I still don't "get" all of it, but his stuff blows me away. He's the only artist I can think of who keeps getting weirder.
Tom Waits doesn't have a box set, but if you have big $, pick up 2001's Used Songs, which covers his early era on Elektra, 1998's Beautiful Maladies and which covers his middle era on Island. There's no real compilation for his latest, and really great, period on Anti-, the imprint of punk rock label Epitaph Records.
My favorite album however, is his Epitaph debut, 1999's Mule Variations. I know most people choose older albums, but that's the one that really hooked me on him. The fact that he did such an incredible album a quarter century into his career blew me away.

The New York Dolls, I was a latecomer to them as well. I sort of got into them via frontman David Johansen's SIRIUS radio show, The Mansion Of Fun. The Dolls influenced Guns N Roses and they influenced The Smiths. Come on! I like their recent reunion albums. But all you really need to have is their 1973 self-titled debut album.

Of course, there are so many other bands who I think should get in: The Cure, The Beastie Boys, The Red Hot Chili Peppers, Bad Brains, Black Flag, Warren Zevon, Emmylou Harris, LL Cool J, Willie Nelson, Loretta Lynn, Peter Tosh, Motorhead and The MC5 to name a few. But as of this moment, the above are the artists I would vote for if I could vote tomorrow.

THE STOOGES, NOT THE STROKES!

Well, that was depressing! I was on Amazon, looking for some old albums by The Stooges, and on top of the results, it asked "Are you looking for The Strokes?" HELL, no!  I'm looking for The Stooges!

A few years ago, I saw both bands, back to back, at Little Steven's Underground Garage Rock Festival at Randall's Island in NYC. The last three bands of the day were, in this order, The New York Dolls, The Strokes and The Stooges. It was the Dolls' first NY gig in, like, three decades.  The Strokes were way out of their league, and lets leave it at that.

Anyway, I was looking for The Stooges, because I was listening to their 1969 self-titled album yesterday and thinking, "wasn't this remastered?" It was, in fact, a few years ago.  So I'm going to get the remasters of that album and 1970's Fun House. Those are both on Rhino, because at that point The Stooges were on Elektra. Raw Power, meanwhile, will be reissued by Sony Legacy later this year.

BEST OF THE '00S: DAVID JOHANSEN

I was never really a big New York Dolls fan. I didn't have any big objection to them, and I knew that they influenced a lot of bands that I like, including KISS, Aerosmith and a lot of punk groups. I didn't know much of their music, and I was more familiar with singer David Johansen's solo work (mainly his Animals covers), his hit singles as Buster Poindexter and his scene-stealing role in Scrooged.

Then I went to Little Steven's Underground Garage Rock Festival in August of 2004. The New York Dolls, who had reunited a few weeks earlier at the behest of former fan club president Morrissey, were one of the headliners. It was their first New York show in three decades. Somehow, they were beneath The Strokes on the bill, and the final band was The Stooges. A publicist took me onstage for the Dolls, and they really knocked me out. I couldn't believe I'd never really listened to them before. I bought their 1973 self-titled album and really dug it.

About a year later, I found myself working at SIRIUS Satellite Radio, and David Johansen, as it turned out, hosted a weekly show on SIRIUS Disorder. (These days, it is on The Loft). I don't always like what he plays - it is true free form radio, veering from punk rock to opera to country to film music to soft rock bands like Toto or Bread to instrumental film music. But I like a lot of it, and he takes curating a radio show and makes it an artform, just as much as Little Steven or Bob Dylan. You've really got to hear it.

Around this time, word came that the Dolls' gigs had gone so well that they were going to record a reunion album. That sounded dicey. But as it tured out, 2006's One Day It Will Please Us To Remember Even This is probably one of the best comeback albums I've ever heard, and the follow up, this year's 'Cause I Sez So, proved it to be no fluke. Even though there are only two surviving members - Johansen and guitarist Sylvain Sylvain - they made it work, and work well.

I had the chance to film Johansen being interviewed by John Varvatos for his SIRIUSXM show (which is on Faction) and David Johansen was really cool. Soon after, I filmed The New York Dolls' performance at Varvatos' store at the former location of CBGB, and the band were on fire. Johansen definitely looks his age, but he carries it in the most cool way.

More Best Of The '00s: Bob Dylan
Willie Nelson
Aimee Mann
Jeff Tweedy

THE NEW YORK DOLLS: SUPER-UNDERRATED

I was thinking about how underrated The New York Dolls are, and how they should totally be on the ballot for the Rock and Roll Hall of Fame this year. Then I remembered that I never posted this video from the John Varvatos boutique (the former CBGB) that I shot earlier this year. No Expiration is the wide camera, I'd never used a HD camera before. The other cameraman is a total pro though. The important thing, though, is how great this performance of of the title track of 'Cuz I Sez So was. And that's one of the best albums of this year!

THE NEW YORK DOLLS AT THE VARVATOS BOUTIQUE

I almost forgot to write about this! On Tuesday night, I filmed (along with a more experienced cameraguy) The New York Dolls' record release party; they released their latest, 'Cause I Sez So, that day. It was at John Varvatos' boutique - yes, the site of the former CBGB, and I wrote about my opinion about that recently. It was also the launch for John's radio show, Born In Detroit, which will air on SIRIUS XM's Faction on the first Sunday of every month. I filmed John interviewing head Doll David Johansen last week (both the interview and the performance will be on SIRIUS.com and the SIRIUS XM YouTube page soon) and he won me over. He's a rock fan who made it, big time, and is using his success to preserve and represent the music that he loves.

Anyway, The Dolls were incredible. They are one of those bands, like The Stooges, who belong on classic rock radio by all rights, instead of some of the hack bands that the format plays. I can't understand why more people don't love this band, it's not like they are hard to "get" like Kraftwerk or something. Anyway, they played mostly new songs, and it sounds like the new album is really rocking, so check it out.

TOMORROW ON OUTQ: BEN HARPER, THE NEW YORK DOLLS, PETE TOWNSHEND

Tune in to hear us discuss Ben Harper & Relentless7's album
White Lies for Dark Times and The New York Dolls' 'Cause I Sez So. I've had Ben's album for a week, and I really like it: I saw him perform a bunch of the songs a few months ago (both at the SIRIUS XM studios and at Electric Ladyland). And tonight, I saw the Dolls perform many of their new songs at the John Varvatos boutique at the Bowery (formerly known as CBGB) and they still have it.

I'll also discuss Rachel Fuller Presents: In The Attic, a 2 CD/1 DVD set produced by Fuller, who is Pete Townshend's girlfriend. The collection features Fuller, Townshend, Ben Harper, Lou Reed and Tenacious D, among other artists. Not many people seem to know about this, which is a shame.

THE NEW YORK DOLLS RETURN WITH CAUSE I SEZ SO MAY 5

Great news!  The New York Dolls reunion is still going strong! They're reunited with producer Todd Rundgren, who produced their classic 1973 self-titled debut album for Cause I Sez So, due out in May. Their 2006 reunion album, One Day It Will Please Us To Remember Even This, was one of the best reunion albums ever - no mean feat as it included only two original members, singer David Johansen and guitarist Sylvian Sylvain. I saw their first U.S. gig after they reunited -- at Little Steven's Underground Garage Rock Festival in 2004 I think it was -- and they killed.  That's actually what originally turned me on to them. I saw their own gig at Irving Plaza a few years later, which was also awesome. So, I'm glad they are still together. And by the way, you should check out Johansen's weekly radio show on SIRIUS XM's The Loft channel.